Read the previous entry in the series here.
Read the next entry in the series here.

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Following advice of a reward for information about Sedric and Alise from their families and an accompanying brief message to Detozi that notes questions of transmission integrity, “A Bingtown Trader” begins with Hest surveying Alise’s chambers in his home. He muses in annoyance on the chambers and their erstwhile occupant, and he fumes at the expense of having taken Alise as a wife and the pretense that his doing so enacts. The implications that Alise and Sedric have run off together, though Hest knows them to be false, rankle and affect his business dealings, annoying him yet further. His steps against his lover and his wife are rehearsed, and his reverie is interrupted by a visitor from Chalced.

https://www.tumblr.com/blackandwhitemotley/641281072348397568/krwhl-probably-hest-from-the-rain-wild

Hest seeks to rebuke the visitor and is assailed for his troubles, soon pressed hard for information he does not have about Sedric’s dealings with Chalcedean agents. He is also conscripted into Chalced’s mission to acquire dragon-parts for their ruler’s health, given grim reminders of the importance of that mission to deliver.

It would seem to have been a while since Hest last appeared “in the flesh” in the narrative, as such; he is referenced and recalled, but to have him present in the narrative present is not something that happens often. And that is likely for the best; he is, as has been remarked on more than one occasion by more than one character, an unpleasant person with few, if any, redeeming qualities. Admittedly, Hobb has dwelt on such characters more than once before; depictions of Will and Regal in the Farseer novels come to mind, as do depictions of Kyle Haven in the Liveship Traders novels. Still, that Hest has only this brief direct part in the narrative after so long outside it seems marked, suggesting to my mind that he is functioning as a place-holder and character-type rather than as an actual character. That is, Hest is not important to the narrative in himself so much as he is important to the narrative for his interactions with other characters.

The potential problem that arises with this is that characters who are treated in such ways tend towards enacting and reinforcing stereotypes. Used for their narrative functions rather than having their development presented and explored, such characters do not invite the level of craft and attention that more focal figures receive, and it becomes easy to present them via a kind of short-hand, evoking or outright presenting types likely to be taken in and understood by broader readerships–and, all too often, those types are unflattering representations of classes of people. That they are so easily accessible is the result of long years of infelicity and worse, problems likely to continue because they continue to be used with minimal critique in the media people take in.

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