Sample Assignment Response: Revised Response Essay

Last week, noted here, I posted a sample of a response essay, another piece working to emulate the work my students are asked to do. I felt obliged, for several reasons, to address a slightly different prompt than that offered to them, but I still feel that the model offered was useful. But there is more to do, both for the students and on the piece I offered, for which reason I proceed now to narrate my process for arriving at a model for the revised essay expected of students and to provide the model arrived at. I do so in the continuing hopes that my students and others will benefit from my efforts.

Sometimes, you succeed beyond expectation.
Image from Giphy.com.

The week’s assignment asks students to take the draft provided the previous week and expand upon and revise it with comments from the instructor. While the previous week would have admitted of a partial draft (I did not offer one), the current exercise requires a completed draft, albeit one admittedly brief. Aside from the expectation of fuller development (“fuller” instead of “full” because every piece of writing can be refined further), requirements follow those of the previous week’s work.

To mimic the exercise, I began by opening the previous week’s assignment and saving it under an updated name; doing so allowed me to retain a base copy in case things went strangely during revision while still letting me make updates–and helping me to find them. Then, as with a previous revision exercise, I printed out a hard copy of the text on which to make my initial edits. (I might note, too, that when I review my own work in hard copy, I rarely use red ink, preferring blue ink or pencil. Both stand out from the black ink of the printed pages while avoiding the glaring sense of “problem” that arises from red ink. Pencil allows for more adjustment, though it tends to smear a bit, while blue ink tends not to do so.)

As I went through the earlier draft, I did so looking first for ways to make the content more accessible. I expect that relatively few of my students–my anticipated primary audience–are familiar with the content I discuss, so I have a particular burden to make that content clear and understandable. Additionally, as I reviewed my work, I found that I was not satisfied with how I had transitioned into a couple of paragraphs, so I adjusted those transitions, as well as making the aforementioned changes to content.

With my on-paper notes ready, I moved into adjusting the electronic text. As before, I worked from the end of the paper back to the front, so that my changes did not move others that would need making. And I made sure to save my work repeatedly; I’ve lost papers before, and even so brief a work as the present exercise would be an annoyance to redo. I also reviewed the text for readability; again, accessibility to the primary expected audience is a concern, and I know my tendencies well. But the document tested out as at an acceptable reading level while still reading how I would have it, so I accounted it good enough.

The essay revised, I gave it another quick review to ensure that its orthography was as it should be. Nothing showed up to that review, so I rendered the document into an accessible form that I present here in the hopes that it, too, will be helpful: G. Elliott Wk 7 Sample Essay.

Seriously, please help me keep on doing this!

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Another Rumination on Roleplaying Game Design

In an earlier post, I make mention of focusing my tabletop roleplaying game (RPG) design efforts on a mechanical system that uses six-sided dice for ease of reference and access. It’s not the only such piece I’ve put together, though; for example, I drafted one on Rich Burlew’s work for another venue, and it is with Burlew’s comments in mind that I proceed. He makes the comment that mechanics and story should interact meaningfully; they should fit together, rather than one being a vehicle for the other or added onto it. Things should make sense together (despite the fact that the broader world does not, not by half). And since narrative requires milieu, and RPGs are narratives, the mechanics need to integrate into the milieu smoothly.

Shiny.
Image from AnimatedImages.org.

That notion in mind, and knowing that I mean to use six-sided dice, I started looking for convenient “natural” sixes. Two emerged in short order: cardinal directions and numbers. The former might seem to be counter-intuitive; as typically represented, the cardinal directions are but four: north, south, east, and west. But up and down are also to be considered, making six principal directions and offering six points of reference: north, south, east, west, zenith, and nadir. It’s obvious upon being pointed out, really, but it’s not often pointed out that I’m aware of, so it seemed a useful beginning point.

The numbering takes a bit more explanation. But if I follow the tendency of RPGs to have human or humanoid player characters–“humans in funny suits,” to borrow one turn of phrase that Burlew is not alone in using–then a five-fingered hand suggests itself. I can count six numbers on one such hand: zero to five. If I add another hand, I can reach thirty-five without working through knuckles, as some finger-counting systems do. And that sketches out a base-six numbering system; zero to five on one hand, then back to zero with a finger raised on the other hand. The place-value even begins to situate itself.

Those two sixes, aligning neatly with six-sided dice, have their own implications. Some move in directions that will bear exploring elsewhere. Some, though, admit of more local treatment. For example, the idea of a body-based numbering system that invokes place-value, which I am told by those who study and teach math was quite a development, suggests that the narrative milieu is one that values arithmetic. It’s a strange thing to have emerge, particularly for the work of someone whose degrees are all in English, and not one that I had expected to emerge.

That’s part of the allure of stories, whether read or narrated along with others and the help of dice, that things emerge from them that had not been expected. There is often comfort in the familiar, certainly, and there is nothing wrong in itself in stories following predictable patterns. But there is something special about new and un-thought-of things popping up out of even basic background work that thrills as a writer. I can hope that, in time, such things will also prove to be to players’ delight.

Care to contribute?

Sample Assignment Response: Draft Response Essay

Last week, noted here, I had another instance of encountering an assignment for students that did not demand a new sample from me. I was fortunate to have already developed a number of samples of the kind of work students were asked to do, so I gathered an assortment of them for ease of reference and left them for the students to read through. There was some pushback from them on how I want things done–I am of the opinion that summaries need to identify their subjects, which not all of my students seemed to appreciate–but they seem to have done largely well with the exercise.

Image result for tabletop role playing games gif
It’s like that sometimes.
Image from Odyssey.

The assignment for the present week appears to be another such thing. Students are asked to expand upon their summary work by writing a response to the issue treated by the summarized piece, and the examples of summaries that I had provided to students contain responses. As such, I thought I had already done the work for this week that I sought to do to help the students. But that is not entirely accurate.

For the present week’s assignment, students are asked to write a draft of a response essay. It needs to be in APA format, and it needs to make formal reference to an outside source–in the present case, the article that had been summarized in the previous week’s work. A four-paragraph structure is suggested by the University; introduction, one paragraph relating and explaining personal experience with the subject, another summarizing the article and explaining its relevance, and conclusion. And that expanded structure suggests that I compose a sample to help guide students.

To do so, I began by stubbing out a document according to the APA format template my students and I had developed in the class. That done, I looked at my current-to-the-writing news feeds for an article to summarize and respond to; as is ever the case, I do not want to do the students’ work for them in putting together examples for their use. Nor yet do I want to be too narrowly constrained against future iterations of the class for which I write the examples. Ultimately, I pulled up an article I had long bookmarked for another project; it seemed appropriate to turn to it for the present work.

Having decided upon a piece to which I would respond, I entered its information into the required References list, looking at APA standards to do so. I then read it, annotating it for summary. And it seemed a simple thing to then draft the summary, since I would either be responding to it or prefiguring it, so I did so.

With the summary written, I then considered whether my own comments would precede or succeed it. The former would have the advantage of leading from my own situated ethos to the invented ethos of outside documentation, corresponding to traditional rhetorical ordering by placing what might appear to be a stronger point in the stronger position. The latter, though, would figure my work as a more direct response, moving from the abstract to the concrete in a way that often reads well for students. Given that the piece is meant as a sample for students, the latter course suggested itself more strongly, so I drafted my own comments after giving the summary.

As I drafted, a thesis emerged for me. I took it, rephrased it slightly, and put it in the “expected” position–just before the body of my essay begins. I then drafted an introduction to move readers into the thesis smoothly. I followed that with a conclusion that moves forward from the thesis into an idea of what can be done with that thesis, a style of conclusion I typically prefer in shorter academic pieces.

The draft compiled, I gave it a quick review to ensure that its orthography was as it should be. Nothing showed up to that review, so I rendered the document into an accessible form that I present here in the hopes that it will be helpful: G. Elliott Wk 6 Sample Essay.

Please help me keep on doing this!

A Rumination on Tabletop Roleplaying Game Design

I have made no secret, of course, that I am and have long been involved in roleplaying games, not only the iconic Dungeons & Dragons, but also Legend of the Five Rings and others. It should come as no surprise, then, that I have thought from time to time about putting together a game of my own; it should also not be a surprise that I have acted on such thoughts in the past. Indeed, my second-to-last undergraduate project was an honors thesis in which I did that very thing, though I did not do it at all well. I was not nearly so gifted an undergraduate as I thought I was, and it shows in how clunky and, well, pretentious the work I did then is.

One way to make it rain…
Image form Giphy.com.

I still toy with the idea, of course. I enjoy playing, and I can’t play unless I have folks with whom to play. And that means I have to make any game I would design accessible to people, both in terms of ease of rules and in terms of cost to play. Playing tabletop roleplaying games can be quite expensive; the rulebooks that typify them are not usually inexpensive, and even if someone can get years of use out of one, the initial outlay is something of a hurdle. I’ve not got a necessarily robust collection of gaming books, and I’ve spend hundreds or thousands on them over the years; those who have more have doubtlessly spent far, far more.

There are dice to consider, as well. One of the most common accoutrements of roleplaying games, dice can be found in extravagant numbers and styles, and they become foci of lore and jealousy, among others. They also become money-pits. My own experience in buying dice–and mine are loyal and good, though not necessarily fancy, as far as such things go–has been to the tune of hundreds of dollars across my time gaming. Again, I’ve gotten years out of them, and I did pick them up a few at a time, but it’s still an investment to get the dice roleplaying games typically demand.

Part of that cost comes from the fact that roleplaying games typically play with different types of dice, not just the cubical dice most familiar, but other sorts typically rendered as Platonic solids plus ten-sided dice. (There are other versions of such dice available, of course; my daughter picked a set that mimics gaming dungeon paraphernalia, for example.) Though they are more and more common now, they are still at a higher price-point, and they are still less accessible than the plain cubical dice that can be gotten at supermarkets and convenience stores.

It is to help get around that concern of accessibility that, when I designed a gaming system, I made sure to base its mechanics in six-sided dice. They are easily had, easily replaced, and familiar from centuries of use in popular culture. And not only as gambling devices, though that is their most common depiction; I remember elementary school math classes that used them for some basic statistics, for example. As such, when I went to set up a system to bring people in, I did so with six-sided dice at the core.

As I’ve found out in the time since, trying to orient other things around sixes has been more of a challenge. But that’s something I can return to later on…

Help fund my bad habits, please!

Something Else That Would Have Been a Sample Assignment Response

Earlier in the session, I found myself thwarted in my attempt to provide a sample assignment response when the first week’s assignments were quizzes alone. As I sat down to draft a response for the fifth week’s assignment, though, I found myself having the opposite problem. Instead of encountering an assignment I could not meaningfully or ethically exemplify for my students, I encountered one I have already abundantly exemplified for them. Instead of having no work that could be done, I had ample work that had already been done–which is a much better situation to be in than that I had had before

Seems apt.
Image from the Harvard Business Review.

What the students are asked to do in my class this week is read an article, write a summary of it, and write a response to it. I have no shortage of such things already available, in this webspace and elsewhere, even if they are not necessarily in the APA format requested by the institution. But I’ve practiced that format enough with my current students that I do not know that I need to give it them again, so, instead of making an offhand reference to where they can find examples in this webspace, I’ll give a list of a few of them that seem to have attracted most attention:

I hope they provide useful models of content for my students and for others to follow.

Help fund more quality instructional materials, please!

A Rumination on a Teaching Practice Borrowed from Tabletop Gaming

In a post I recently made to my personal blog, I make reference to some of the teaching and gaming I did as a graduate student. I remember both fondly, at least at this point, and I have done what I can to take the best parts from both into future iterations of my work in the classroom and at the table; I’ve had less success than I might hope, to be sure, but I have still had some success. And some of that success has focused on a single practice that came from the tabletop gaming I administered into some of the teaching I’ve done. It doesn’t always translate into a given class, of course; different courses call for different assignments and different techniques. But that a tool is not universally applicable does not mean it is of no value, and because I think there is some value in the practice–having students overtly commend one another in private reports to the instructor–I think it fitting to spend some time discussing it more formally than my personal blog admits.

Related image
Not atypical, this…
Image from Wikipedia, which I’d not normally use.

To explain the activity a bit: When I was in graduate school, I ran a large tabletop roleplaying game. Normally, such games will have a referee and four to six players; I was the referee, and I had thirteen to fifteen at my table. It was not always a ruly bunch, to be sure; so large a group in which individuals need longish periods of devoted attention tends to go that way. But we got on more or less well, and the players enjoyed what I gave them (I think; please don’t tell me if I’m wrong). And part of that, I think, was that I gave them encouragement to play well–beyond the intrinsic value of participating meaningfully in an ongoing extemporaneous story. For I had each player vote at the end of each gaming session for the player other than themself who had done the best job of playing at the table that night.

By asking them to do so, I encouraged them to more fully inhabit their character and the narrative milieu in which those characters were enmeshed, and to do so in a way that helped the others at the table. And I encouraged them to attend to the performances and participation of others to reward behavior that, through authentically developing and communally-determined practices, was optimal for the group as a whole. In effect, the players came to agree on community standards for behavior and participation, and they looked for ways and reasons to praise one another, rather than make mock of one another as is common at gaming tables and in too many other places in the world.

To apply that idea to classroom practice took a bit of doing. For one, it only works well in group settings, and I tend to shy away from group assignments when I can. My experience, as both student and teacher, has been that one or two group members will do all of the work, while the others coast by on the labors of the diligent. (A rant threatens to emerge; it may do so later.) However, much of the teaching I have done has been of classes that have institutional mandates for group projects (the public speaking class at DeVry was one such; the technical writing class at Oklahoma State University was another).

In the latter, particularly, I had some success with having students report on their group’s and individual group members’ progress in the assigned projects; I made it part of assignment guidelines, requiring them to submit progress reports as daily assignments, so that there was extrinsic motivation to address the tasks. (Most of the students in that course were in another writing class only reluctantly; the extrinsic motivation was needed.) But I noted with some annoyance that, while I would see participation and submission from several group members, I would not see accurate assessment of those participants who weren’t; a few noted to me that they were reluctant to “throw [another student] under the bus,” even when the group’s work as a whole suffered because of such a student.

I understand the impulse, to be certain. I’m not along in having heard that “snitches get stitches and wind up in ditches,” or other words to that effect, and I was not immune to the shame of being a tattle-tale. And, at one level, I was content to let students undercut themselves; if they did not care more about the work and their reward for it, I saw no reason I ought to do so. But, as one of the students who was exploited by group work, I hated the idea of such exploitation continuing even when students had a mechanism to prevent it (part of the students’ grades came from the mutual assessment, so they could have excluded non-participating group members).

When, instead of asking students to identify the group members who had done least, I asked them to identify those who had done most, I saw a much better response rate from them. Additionally, I received much more detailed feedback on student performance from the other students’ perspectives, which was of great help. Some of that did run to specific notes about other students’ non-compliance with the standards of their groups, which also helped me to make the adjustments I needed to make as I oversaw the groups’ work. In essence, it worked in more or less the same way with my students as it had with my players, for which reason I commend the practice to use in other classes.

It is not universally applicable, of course. Not all classes require or admit of group projects, at least not conveniently. And there are courses that operate under stricter institutional mandates, obliging specific assignment sequences and lecture topics. But where it can be deployed, the practice of having students cite and justify each other’s excellence is a useful one.

 Care to send a bit my way?

Sample Assignment Response: A Revised Response Essay for ENGL 062 at DeVry University in San Antonio

To follow up on the work of last week and before, continuing what I’ve found to be a useful pattern, I mean to press on in drafting sample assignments to help my students better understand what they are asked to do for the class. I also press on on in the hope that my efforts will prove to be of both that benefit and others to readers yet unknown to me. In doing so, I narrate my process of composition and present another sample paper near the end of this blog post.

I figured I’d relate it to the previous…
Image from Giphy.com.

For the present assignment, students are asked to revise the drafts they submitted during the previous week in light of instructor comments about them. Submission guidelines remain the same as for the previous piece.

Accordingly, to complete the exercise myself, I opened the editable copy of the paper I had written, saved it under a new filename, and printed it out. When I review my own work, I do so more effectively from paper as a result of years of practice doing so, and I try to cater to my strengths when I do such work. Printed copy in hand, I pored over my earlier work, looking for places I could tighten phrasing–particularly in the long body paragraph of the earlier paper. Where I could, I marked such passages and penned changes between the printed lines. I then transferred the comments back into the editable paper, working from the end of the paper towards the beginning so that the changes I made would not displace other phrases I needed to change.

With that done, I again reviewed the piece for readability by applying the Flesh-Kincaid reading level test. It again returned a result in line with what I had hoped to find. I was thus able to proceed to review style and mechanics in the work. After making the adjustments that needed making, given exercise requirements and ease of reading, I put the document into an accessible format, which I present here in the hopes that it will be of use: G. Elliott Revised Sample Essay.

I can still use more support as I work to support my students more.

A Rumination on Cliché

As I was writing in my journal a few days back, I used a cliché turn of phrase and found myself musing upon it.* I try to avoid cliché in my own writing; years of formal training as a writer and as a teacher of writing have made such avoidance as much as reflexive. When I do invoke one, it is almost always either obliquely or ironically, almost never in the manner intended–if intent can be said to matter in such cases. But, as I’ve looked at it and at the surrounding world, the thought occurred to me that the ingrained avoidance of cliché is not necessarily a good thing. That is, it seems to me to emerge from unpleasant places and to perpetuate unpleasantnesses in ways that should themselves be avoided. And if that is the case, then I am once again complicit in structures of power and oppression that it were better I not partake in.

Source in the image, of course, and used for commentary. Go check it out.

There are some reasons to avoid clichés, of course. Cross-comprehensibility comes to mind as one major example of them. Cliché is dependent on cultural context for its meaning and effect; such phrases as “Pardon my French” only work for communities that associate French with obscenity. No small amount of the writing that gets done is done for an audience that cannot be assumed to share the cultural backgrounds of the writer; certainly, no small amount of the teaching of writing (particularly business and technical writing) is done with an eye towards audiences of differing backgrounds. Reducing the burdens placed upon such readers is cited as desirable, and reducing the presence of cliché in the writing lowers such burdens.

As I think on the matter, however, it seems to me that the push to avoid cliché has substantially classist overtones. That is, the straight-ahead use of cliché tends to be associated with presumably less refined, less educated people; it is associated with lower socioeconomic strata, while its avoidance and rejection are both coupled to formal education and the concomitant association with either wealth or aspirations to wealth. In effect, cliché is a “lower” class thing; its lack is an “upper” class thing. Typical regard bears out the idea; cliché is described in such terms as “phrasing that has been stripped of meaning from overuse,” making it a tired hand-me-down that is ultimately empty. It is decried as intellectual laziness, as trying to sound good without offering substance. And such regard, such construction, such opinion introduces problems to the typical teaching thrust of eliminating clichés, such that noting valid reasons such as cross-comprehensibility read too easily as justification after the fact for oppressive practices.

Cliché becomes particularly fraught when viewed as socioeconomic acculturation. By denying writers the use of cliché, we (however collective the “we” can be) deny them self-identification as members of particular communities (with the communities varying by the cliché used, of course) and insist upon particular markers of identification that may well not be those to which the writers may hold for themselves. They become effacements of smaller cultural groups that are in most cases disadvantaged in one way or another. It is not to be wondered at, then, that people coming from those groups chafe under such restrictions and lash out against those who would impose them–and they are not wrong to do so. Yet, again, there are reasons to avoid cliché, reasons to which instructors have to be able to respond authentically and without the appearance of papering over problems instead of addressing them directly.

How to strike the necessary balance is not at all clear. And I expect that no few will think either that I am overstating the case by linking cliché to cultural practice or that such cultures as are associated with use of or reliance upon cliché deserve to be oppressed, somehow. To the latter, I have nothing to say that I care to put into this piece; I have many words for it, but most of them are more obscene than even French would admit of. To the former, though, I might say that oppression comes in many forms, not all of which are overt; indeed, the smaller, more covert forms are more pervasive, harder to resist because they are less obvious and, in many cases, more deeply ingrained. Years of teaching conducted by many teachers makes it easy to think that “it’s just the way it is,” as has been seen and actively opposed in other cases. Though the way is not clear, it should be opposed in this case, too.

*I find myself in mind of Cathryn Molloy’s 2010 College English article “The Malcliché: An Argument for an Unlikely Episteme.” It’s been a while since I read it, and I’ve not refreshed myself upon it in writing the present piece, but I have the sneaking suspicion that it is relevant. Back to text.

Help me steer clear of what I need to avoid!

Sample Assignment Response: A Response Essay for ENGL 062 at DeVry University in San Antonio

To follow up on the work of last week and continue what I’ve found to be a useful pattern in other classes, I mean to return to drafting sample assignments to help my students better understand what they are asked to do for the class. I also continue to hope that my efforts will prove to be of both that benefit and others to readers yet unknown to me. In doing so, I narrate my process of composition and present the sample paper near the end of this blog post.

Cat videos are internet-appropriate, right
Image from Giphy.com.

For the week’s assignment, students are asked to compile a first draft of an essay that addresses one of two assigned prompts, both of which respond to themes in assigned readings. The essays are asked to be three paragraphs in length–introduction, body, and conclusion–and to come under a cover page in APA formatting. No requirement for outside sourcing is expressed, so no outside sourcing is expected, though there is specific reference to the assigned readings, themselves, so it might be permissible.

To respond to the exercise, I began by setting up an APA-format document in Word. That is, I set up my document in double-spaced 12-point Times New Roman typeface with one-inch margins on letter-sized paper. I also arranged my cover page, running head, and pagination as prescribed by APA style. Given that I did not expect to need to use outside sources, I did not set up a references page.

That done, I settled on a topic to which to respond, whether responses to homeless persons or a central idea around an inspiring person. The second seemed a better fit for the class and the assignment, so I opted for it. With that done, I had to identify a person I find inspiring, and, with the person identified, I had to settle upon a central impression to convey about that person. (I’d done so in an earlier piece, so I had some experience to help me along, even if the subject differed.)

I typed that central idea into my document, then copied and pasted it on the next line of my document and highlighted the second in green. I tend to do so when I compose essays so that I know what thesis I am trying to support; as I draft forward, I do so behind the highlighted thesis, leaving it as an ever-present goal for my essay to achieve.

With a thesis in place, I worked to offer a paragraph of support for it. I try to draft essays thesis first, then body, so that I know where I am going for my introduction and whence I will proceed for my conclusion. The body drafted, I began to work on my conclusion, since I was already at that point in the paper; I rephrased my highlighted thesis, stripping away the highlighting, and wrote a brief note discussing future implications of that thesis.

After I put together a brief conclusion, I returned to the beginning of the paper to lead through an introduction into the thesis I had constructed. Following a common introductory pattern, I offered some context for discussion before moving to narrow my focus and identify my topic. The thesis I already had in place followed, giving me a complete paragraph that already moved into a body of work.

With that done, I reviewed the piece for readability. I once again applied the Flesh-Kincaid reading level test, which again returned a result in line with what I had hoped to find. I was therefore able to proceed thence to review my document for style and mechanics. After making the adjustments that needed making, given exercise requirements and ease of reading, I put the document into an accessible format, which I present here in the hopes that it will be of use: G. Elliott Sample Essay.

I can always use more support as I work to support my students more.

A Rumination on Some Old Writing

I have commented from time to time about my own writing and my writing processes, not only here, but also in other venues. I’ve also recently looked back over some of the stuff that I’d written before, partly because it was relevant to the writing I was doing more recently, and partly because I am still subject to fits of nostalgia. Sometimes, those fits do something decent for me; I did a few things decently in my younger years, at least, and I have not let their promise lapse utterly as seems to have been the case with quite a few other things. Sometimes, they do bad things to me, largely when I end up dwelling on what could have been but now never will be. Occasionally, though, they give me occasion to pause for rumination–not that I am short on things that offer such gifts.

Image from Giphy.com

Across years of study and years after formal study ended, I have been writing. I flatter myself to think that I’ve gotten better at it over that time; I know I’ve gotten more willing to put the writing where other people can see it, and I know I continue to harbor the idea that the writing I do is of some value to others. And not just in the way that any writer who writes for a public has to harbor such a thought (and all do, else they’d not put their writing where others are apt to see it); as the sample assignment responses I’ve been doing suggest, I expect the writing I do to be of direct benefit with tasks at hand in, at least the short term and for at least some of the work I do.

But I’ve also mused in other venues about looking back over older essays of mine and revising and otherwise updating them. (Admittedly, paratext is what comes to mind, but paratext is important, as I’ve argued and as others have far more eloquently and successfully argued.) I’ve got most of my old papers–those written since I gave up on trying to become a band director when I grow up–on file, and a great many of them would work as the kind of thing I tend to post here. They need more work than reformatting and insertion of paratextual norms such as illustrative and decorative graphics and HTML-compliant section headings, of course. Even the things I wrote a scant few years ago show their age and my relative immaturity, and I know that the things I wrote in my first year as an English major are far more dated, far less refined, far more annoying than what I put out now. (I have more sympathy with some of my professors now than I once did.) Revisiting and amending the work, though, might well do me some good; there are at least a few ideas that could stand some attention and refreshing, and the rest could well be taken as the kind of penitence a man like me might well do.

At the same time, with few exceptions, the repetition I already do is not the best. I am self-conscious about it already, as I think I’ve shown recently. And I’ve noted in other venues my expectation that saying again what I have already said, and to much the same audience that heard or read it the first time, will read other than optimally. I do not know that what I wrote in days gone by will seem repetition to those who have been reading me more recently, to be sure, but I also do not know that they will not be. And I am not certain that I will do well to work again with ideas that I had once had and put into words years ago; I am not so far past my dissertation as I am past quite a few of the other pieces, and I do not know that I can stand to look at the thing again to make it a monograph, as I know I was supposed to have done. (That I did not doubtlessly contributes to my not having secured work in academe, not that making the monograph would have guaranteed a damned thing.) The thought of catching up on the scholarship and writing the at-least-one additional chapter stymies me. The thought of going further back and trying to do more causes me to balk utterly.

Perhaps it is good to leave some of the past in the past. Perhaps it is good to have moved on from some things, to put them down and not pick them up again, not because others will need to take them up, but because they should be trodden into the ground by unseeing feet and covered over by the sediments of passing years, what was in them leached out and returned to the source form which they sprang or else locked away from view forever.

Your contribution remains appreciated!