Read the previous entry in the series here.
Read the next entry in the series here.
Following a charged clandestine message to Trader Finbok, “Taking the Leap” opens with Sedric and Carson urging their dragons along towards an old road. The dragons complain along the way, with Spit (the dragon Carson tends) taunting Relpda at some length. Carson is able to persuade Spit down, Sedric following more slowly, and to some merriment. Relpda, however, is incensed and startles all present by leaping into the air and flying unaided. Her performance inspires the other dragons, led by Spit, and the assembled keepers exult in seeing their dragons aloft as they ought always to have been. Sedric is initially afraid for Relpda as Spit pursues her, but Carson informs him that Spit but makes a mating attempt.

Relpda by Catsbood on DeviantArt, used for commentary
Elsewhere, Hest is surprised to find himself enjoying Cassarick. He is also able to ferret out a fair amount of gossip regarding the Tarman and Leftrin’s sudden departure. Satisfied that Redding has had enough time to accomplish his errands, Hest makes to return to his lodgings, only to find his assailant awaiting him. The assailant rebukes Hest for his deviation from orders and coldly informs him that Redding is dead, and he puts Hest to yet more grisly tasks as he lays out his own personal stakes in his errands.
I note with some interest the present chapter’s motion toward the urban / rural divide. Admittedly, in such societies as the Realm of the Elderlings novels present, there is less sharp a distinction between the two; the cities that are shown tend to be port cities of one sort or another and closely linked therefore to their agricultural and similar surroundings, rather than towering metropoles that can seemingly ignore the work of farmers and others in the surrounding lands. Jamaillia is perhaps the closest to a modern metropole yet shown, and even its overbuilt presence differs substantially from contemporary conceptions of what the city is or ought to be. Even so, in the early United States to which I see Bingtown and the Rain Wilds as most akin, there was a distinction between life in cities and that away from them, and not only in terms of access to information and materials (although certainly in them), and that distinction seems to be in place in the present chapter–if with something of a twist.
Like many, Hobb presents the rural as superior to the urban in the present chapter; Sedric’s city life is a hindrance to his understanding, here, while Carson’s rural expertise enables him to be more effective and insightful. So much is a commonplace. The twist comes in the variation on moralizing that often accompanies the presentation of the urban / rural divide and the privileging of the latter. In most cases, the rural is presented as morally purer than the urban, adhering more closely to “traditional” norms of civility and continence. (Yes, in real-life cases, this does tend to align with conservative ideologies in terms of “what ought to be,” and it is an ideal which many rural communities fail to attain, even if they do not openly discuss it outside themselves. It also tends to be racially coded, with non-dominant populations being ascribed “immoral” practices. That so much presents problems is hopefully obvious.) Yet here, it seems that the rural life Carson represents is more tolerant and accepting, if not outright celebratory, of relationships than is the urban life Sedric represents. In Bingtown, Sedric must conceal who he is; in the Rain Wilds, he is under no such obligation.
Does this mean Kelsingra is an incipient Utopia? Perhaps; I do not have More’s work in front of me to make the comparison. But it is a prospect, and I would love to see if someone else has done the reading to find out.
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