Read the previous entry in the series here.
Read the next entry in the series here.

This chapter contains sexual violence.

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After an excerpt from Bee’s dream journal, “Parting Ways” begins with Bee musing on changes among her abductors in the wake of Vindeliar’s suborning. The Chalcedeans’ ingratiation with Vindeliar is tracked as they test his abilities and begin to exploit them for themselves, and the threat under which Bee and the others operate with Dwalia out of power is made clear. Within Bee, the echo of Nighteyes she carries urges caution and calm, and she observes as the Chalcedeans fall once again into depravity. Dwalia attempts to redeem her people, but the Chalcedeans refuse, and amid the ensuing fracas, Bee and Shun attempt escape.

The present chapter is another relatively brief one, some ten pages in the edition of the novel I am reading, and I once again think I need to see about looking at a cohesive printing of the Elderlings corpus to see if there is, in fact, some pattern at work. I know I keep mentioning it, and there is a part of me that longs to simply spend the money on it…but I think it might be better either to visit a library or make an arrangement with a bookstore to so such a thing than to buy another sixteen novels that I already own. As it is, I have multiple copies of some of the works, and there’s at least one other that I’d like to buy, correcting a mistake I had the opportunity not to make. I am not so well funded as I might like (although, if you’d like to help, there’s a link below you can use for that purpose), so I would have to do some working-around to make that kind of thing happen.

As far as the content of the present chapter goes, though, I do not know that I can say much. If there is, as I have suggested might be the case, some reference going on to a real-world Odessa, I am not sure what to make of it at this point. It cannot be a pleasant one, given what befalls the thus-named character in the text, and I do not feel at ease explicating the violence being worked out upon her, even if it is somewhat “off-screen,” noted as occurring but not explicitly depicted. Hobb does not shy away from overt presentations of violence elsewhere in her work, as I well know, and she has been direct in presenting sexual violence elsewhere in the Elderlings corpus; Kennit’s violation of Althea comes to mind as one example, but it is not the only one. So I am uncertain what the import of the specific presentation of violence here is, although I expect there has to be one. As others have pointed out with great eloquence, and as I recall telling my students in those receding days when I had them, every word on the page is placed deliberately, and it is placed with the knowledge and consent of several people by the very nature of publishing. Something is at work, even if I and others cannot necessarily say what it is at any given moment…

More scholarly somedays, I suppose.

I’m happy to keep this going; put my pen to work so I can do more of it!

Or you can send your support along directly!