Another Reminiscence as #Bandtober Draws Onward

While it is the case that no few marching bands have had their contest seasons end, it is also the case that many are moving ahead to higher-level contests; Bandtober is far from done, and so I will have more to say about it yet than the one or two comments I’ve made about it in the past few weeks. One part of that “more” is that I have continued to work with the marching band at my local high school, not only because my daughter is in the band program and I want her to have the best possible program as she moves ahead, and not only because my being out in the community and helping with such groups is good for me and for the business I manage, but also because I have long benefited from strong band programs, and I believe in them as Good Things (yes, the capitals are on purpose). What I learned from being in bands across years has done a lot to sustain me, and it has opened up opportunities for me that would not have been available had I not had the experiences I did in the band programs that were far kinder to me for far longer than I deserved; I do want other people to have such opportunities, and so I work to help make them available, even if only in small ways as I am able.

It’s not me, but it’s been me…
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My third year of high school was an interesting year to be in the band. The school district where I was enrolled had declined to replace the marching band uniforms I and the rest of those in the band had worn my freshman and sophomore years despite those uniforms being clearly well beyond their expected lifespan. Many or most of them were mildewed through, the fungus resisting all attempts to dry-clean it away. Many or most of them were stained with years of adolescent sweat that had stewed in uniform bags and dark closets, what should have been white yellowed beyond redemption and what was blue splotched and speckled with dark spots that no scrubbing would take out. No few of them had hook-and-loop closures that had long since failed but still demanded wear, obliging several to trust themselves to safety pins that all too often came undone and hooked themselves into the backs of necks, adding bloodstains to already-befouled jackets. And for all of that, for all the complaints across years about all of it, the district shrugged its collective shoulders and muttered something about budget constraints before buying jockstraps in bulk and pom-poms aplenty.

The band’s answer, or the answer fit for anything resembling public discussion, was to have each member purchase their own uniform for the year. Given the show we marched (“1945,” complete with swing classics and patriotic medleys) and where we were going to start marching it (Kerrville has long been billed as a retirement community, and a lot of the retirees were and are veterans, no few of whom then remembered the 1940s), the decision was made to have those uniforms mimic the khaki uniforms of World War II US service personnel, complete with rank markers to denote class and leadership positions. They weren’t perfect replicas, of course, but they worked well enough for what we needed them to do. (That the color guard wore maroon didn’t hurt, either; there were and are a lot of graduates from Texas A&M in town.)

I remember the uniforms taking more care and maintenance than the ones we had had before, but that had the advantage of having me in a clean getup every time I took the field. (Taking care of my uniform is also part of how I learned to iron a shirt and trousers, skills I have definitely used since.) I also remember that, between the publication of our buying our own uniforms and how we performed in them, the school district found space in the budget to buy a new set of uniforms (for which I was the test run, as it happened; it might have been coincidence that the “display model” sent was in my sizing, but perhaps not). And that outward show of support, I am given to understand, helped things continue in a good way for a while…but by that time, I wasn’t around to see what was happening. My brother was, but I had other concerns then.

Maybe I shouldn’t have. Maybe I should have been more open then than I was to keeping in touch with people and institutions in which I had played some part. It’s certainly the case that, as I’ve moved back and moved on, I’ve searched for connections; I’d’ve had an easier time of doing so had I not made as much of a point of letting them go in my youth. I’m fortunate that the work I do now allows me to do something to establish new ones, and I can hope that what I do here and now will help those who have followed after me to have it at least a little easier than I did.

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With Apologies for the Delay

There are some times I find that I
Am up to my elbows or to my eyes
In work; it’s always a surprise
Despite how often it happens.

Closer than many things to the truth…
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Alas that this is such a day
When I would rather be at play,
But I’m at work, and so I pray
For strength, as often happens.

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A Robin Hobb Rereading Series, Entry 472: Assassin’s Fate, Chapter 13

Read the previous entry in the series here.
Read the next entry in the series
here.

This is another chapter that discusses sexual assault and torture.


After an excerpt from Bee’s dream journals, “Full Sails” begins with a return to Bee as she remains Dwalia’s captive. She assesses her situation aboard ship and her confinement, noting overheard conversations and plotting to escape Dwalia and her company. Part of the plot involves accommodating Vindeliar, who reveals more of Clerres’s organization and beliefs. Bee almost exposes herself to his magics in a moment of inattentive compassion, but she masters herself and learns more of the limitations of his abilities.

Probably not so nice as this…
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As Bee considers further what she has learned and overhears yet more, some news of the Pirate Isles and what faces merchants traveling through them, Vindeliar makes to join her. Bee presses the man for more information, and he reluctantly admits that the Unexpected Son is a potential threat to Clerres. Vindeliar comes to believe Bee is using the information to change things unacceptably, however, and soon has Kerf restrain her, taking her below. In confinement, she challenges Dwalia again, only for Dwalia to relate what she did do the Fool and what awaits Bee in Clerres.

The ship on which Bee travels as Dwalia’s captive, beset by weather, pitches, knocking Vindeliar unconscious. Bee attempts to suborn Kerf and attacks Dwalia. Vindeliar regains consciousness, however, and resumes control of Kerf, who removes Bee from Dwalia. In the ensuing fracas, Bee escapes into the bowels of the ship.

The present chapter is helpful in laying out more of the structure of Clerres. The detail that the Servant in the north tower passes down a name is of interest–although it must be noted that the character providing the information, Vindeliar, is not wholly reliable as a narrator. The novels in which he appears make clear that his perceptions and understandings are sharply limited and curated, so it is not necessarily the case that what he says can be taken entirely at face value, even aside from Vindeliar being Bee’s direct captor, whose words should not be trusted for that reason alone.

I am reminded as I reread the chapter of the idea of the butterfly effect. It’s a common enough concept that I don’t think I need to elucidate it here, but, as I have looked back over the bits of this rereading, I find that I have not noted it earlier, and I really ought to have done so. The Fool, as memory serves, remarks at many points throughout the Realm of the Elderlings novels that small changes end up making big differences; a metaphor used at one point (where, exactly, escapes me at the moment; there are many conversations between Fitz and the Fool) is a small rock put in the path of a wheel that forces the wheel’s path to shift (with admitted unpleasantness for the rock). That is, the Fool makes much of small changes exerting ongoing effects–the butterfly effect, in brief.

There’s enough related imagery in the novels to further the reading, of course. There is, for one example, Bee’s whispered verse to Fitz in “My Own Voice” in Fool’s Assassin, and there’s Nettle’s handling of Tintaglia at the end of Golden Fool; both associate Fitz’s daughters with butterflies, their wings making storms happen far away and later on. The life-cycles of the dragons are strangely mimetic of butterflies (and, admittedly, other insects), and I recall that the Fool seems to employ such imagery from time to time. I’ll admit that I wasn’t reading for such details and that I probably ought to have been…but I doubt this is the last time I’ll work through the Realm of the Elderlings novels, so I may well return to it again.

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A Robin Hobb Rereading Series, Entry 471: Assassin’s Fate, Chapter 12

Read the previous entry in the series here.
Read the next entry in the series
here.


Following some commentary by a Bingtown Trader about the origins of the liveships, “The Liveship Paragon” begins with Fitz considering his own image on the figurehead of the eponymous vessel. The Fool as Amber claims to be able to explain, something about which Fitz expresses doubt before returning to his contemplation of Trehaug as he approaches it aboard Tarman. The liveship barge docks alongside what had been the Ludlucks’ ship, and Amber, the Paragon, and the ship’s crew exchange greetings.

Oh, yes, this again.
Image remains “Give me a face you could love” by Katrin Sapranova on Tumblr, still used for commentary

As the Paragon makes to take Fitz and his company aboard, Fitz examines the figurehead closely, his magics taking in the liveship and his thoughts returning to his journey to the Out Islands with Thick. Perseverance finds himself rapidly integrated into the ship’s company as Fitz and his other companions are taken into conference with Brashen and Althea, with whom introductions are made. After a brief talk, in which Spark is easily accommodated, Althea is called away by ship’s business, leaving Brashen to give something of a tour of the vessel to his passengers. Fitz learns some of the crew’s background and histories, including some of the tensions ensnaring the Vestrit family, and he finds himself uncomfortably the focus of the ship’s attention.

Afterward, Fitz returns to conference with Althea and Brashen, and more of the liveship’s history is rehearsed to him. He accepts rebuke for his carelessness, and he confides in the Fool his increasing propensity towards error. The Fool offers some comfort, but Fitz continues to berate himself for his perceived follies. The Fool, however, accepts the finality of their quest together.

There is more to say about chronology in the present chapter. The Paragon asks Amber “Where have you been for the last twenty-odd years?” (214), a reasonable question that offers a useful but inexact report of the time that passed between the end of the Liveship novels and the present chapter. The question of Fitz’s age emerges again, as well (229), giving some explicitly inexact indication of how many years have passed (note this and this). There is some use in having a general sense of time, of course; there is also some use to the author in keeping things general. Fandom can be…difficult…as I’ve noted in passing. (I’m minded of Jeffrey Ford’s “The Fantasy Writer’s Assistant,” as well; it’s a good read, worth the time.) Pegging down exact dates for events in the main narrative invites readers to look for places where they do not line up, and even if verisimilitude would suggest that keeping track of specific dates is not always doable, such misalignments are hooks upon which complaints can be hung easily. Avoiding them reduces some negative commentary by denying the opportunity for it to arise.

The actions of the liveship Paragon in the present chapter also bring to mind some of the earlier work I’ve done, looking (in perhaps less detail than deserves to be done, but there’s only so much that fits into a conference paper) at sites of memory in the Elderlings corpus. I make the argument, among others, that the liveships themselves function as ongoing memorials, but in a particularly fraught fashion. The Paragon, given the circumstances of the ship’s construction and the treatment of the last Ludluck crew aboard (for information about which, see the Liveship Traders novels, my rereading of which begins here), is even more fraught than the rest of the liveships, and the fact that decades do not seem to have eased the ship’s being may have uncomfortable implications. (I had the sudden thought of comparing the liveships, generally, and the Paragon in particular, to the creature in Frankenstein. If someone’s beaten me to it, please let me know.)

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So, Here It Is, Tax Day, Again

So, here it is, tax day, again,
The end of that extended time that
Many beg to do the homework that remains
Even after school has ended
(For some, not all, of course,
Because there are classes in session even now
And Friday night’s lights and Saturday’s contest schedule beckon),
And once again, many have waited until the last to submit,
Fearing the fees and fines as they once feared the Fs that
I am pretty sure bedecked some of their report cards–
Which is to say
Not at all
Until suddenly and sharply

You can tell when the photographers were interested in the topic…
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A Rumination on the Day’s Observances

It has been a while since I’ve made much comment on one of the day’s observances–a little over five years, in fact. I’m not sure what, if anything, I have to add to my earlier comments; I still find things…fraught, perhaps more so now than then, although I think that’s not an uncommon thing, either. That is, I find a lot of things more fraught now than before, and I think other people have similar perspectives on them to a greater degree than previously. Or it seems so from where I’m sitting.

Good enough.
Photo by Rishabh Tripathi on Pexels.com

Where I’m sitting does remain much as it has been. That is, the Texas Hill Country is very much like it used to be, at least in the small towns, and much of that is deliberate. There is a sense of hanging onto how things were, for certain values of how they were and for whom. There is a sense of what things ought to be, for certain values of ought and for whom. And neither of those senses have much changed in the last many years, not that I can see.

It makes for some frustration, to be sure. After all, things cannot get better if they do not change, and I and others in the local community are trying to make things better. The way they used to be done might have worked when things used to be done that way–I was not here, so I cannot say much on that score–but they have not been working so well where I can see them. It may be that things get worse, admittedly; there’s always a danger that changes will not improve things. But it is certain that they will if things do not otherwise change, and, again, they cannot improve if they remain as they are.

Just because things have always been done a certain way is not a reason, in itself, to keep doing them that way (even as the fact of newness does not make something worthwhile). I want things to get better; I work to make things get better. I could stand to have an easier time of it than I hitherto have, and I think I am not alone in that. How that works with all of the other stuff going on…I don’t know, but I’ll try to figure it out.

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Not Quite 440

They say
That nebulous they
That so many say they
Hear but so few say
They are among, that they,
That the kids in this day
And age can barely play
Except upon their screens, though they
Themselves will scarce look up. (Okay,
I’m no better for this than they
Are, as is as clear as day,
Since I use a screen, myself, to say
What I will to my angst allay.
But I see so many in the fray
Of life, proceeding day to day,
And, yes, it’s not untrue that they
Spend great parts of every day
On screens–although, again, they
Are not alone in doing so, but, hey,
We’ve got to find bad things to say
About the ones succeeding us, claim decay
In what they do and are so that we may,
Perhaps, feel better for our past heyday–
Just as was done for us. We must relay
That baton from our own parents’ day
As they did theirs, and thus assay
To keep them in their place, make them pay
For what they never purchased.

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Hey, Look, It’s another Weekend Piece!

I‘m no stranger to reporting here what my family and I do on weekends from time to time. Whether it’s taking a bit of a brewery tour, going to a private museum, vacationing out in the hills, tooling around the state capital, doing service and meeting family, vacationing out in the hills again, or some other thing I find myself unable to link conveniently at the moment, such exploits as I and mine have are not exactly strange to this webspace. (I don’t think they’re terribly strange in the world outside, either, but I’m hardly a reliable judge of any of that.)

The site of the event…
Image from UTSA, here, used for reporting

In any event, this past weekend offered another such small excursion. On Saturday, after Ms. 8 had done her rehearsal (she remains active in a nearby theatre program, among many other things), she, her mother, and I met my in-laws for a bit of a birthday celebration. That much was nice to do, and I was pleased to leave with a belly full of food I didn’t have to cook. After that, though, we had the excursion of note. (We eat with my in-laws pretty commonly, as it happens.)

Said excursion took us back to a place where I’d once spent a lot of time: the downtown campus of what is now UT San Antonio. When I became an English major (more than twenty years ago, now), I spent one or two semesters more or less exclusively on that campus, surrounded by what was then not one of the more developed parts of town (that has changed) and studying in buildings markedly different from the prevailingly brutalist architecture of the Main Campus. (That’s also changed; the older buildings are still as they were, but the newer construction has moved away from that model; it is lighter, generally, than the Downtown Campus, but more like it than like the brutalist basis of the John Peace Library.) It took longer for me to get to it, admittedly–I was commuting in from Kerrville, then–but it also gave me space away from where I felt I had embarrassed myself, space in which I could get re-grounded and from which I could move ahead into what I thought would be better things.

The event that attracted us downtown was a production of The Tempest being put on at the Buena Vista Theatre, one of the larger indoor spaces at the Downtown Campus. Actors from the London stage put on the show, something that has happened annually (save the height of the coronavirus pandemic) for decades and in which I had participated in my time as an English major. (Traditionally, the English honor society provides ushers for the event, and I was very much a member of that society in my undergraduate days.) It was something I remembered fondly from my own time–I got to see Much Ado about Nothing because of it–and so when I found out it was on again, I thought my wife, our daughter, and I should go and attend.

The production, as could be expected and as I had hoped, was excellent. The actors’ physicality as they moved among the parts–there were five on stage playing all of the roles, so they swapped in and out among characters throughout, specific costume pieces helping to indicate who was where and when–impressed, and the ease with which the lines were delivered brought the three of us, at least, into the performance. It was pretty much what watching live theatre should be, what watching Shakespeare staged should be, and I’m glad both to have gotten to see it and to have taken my daughter to see it.

I’ll hope I hear about when it happens again.

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A Robin Hobb Rereading Series, Entry 470: Assassin’s Fate, Chapter 11

Read the previous entry in the series here.
Read the next entry in the series
here.


A lengthy passage relating one of Bee’s dreams precedes “Passage,” which begins with Bee delighting in Dwalia’s seasickness after her recapture from incarceration. Bee notes her own earlier problems, as well as her explorations of the ship on which they travel. Bee also observes closely and notes her own shifting goals.

Perhaps something like this?
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How Dwalia’s company, more generally, fares is noted amid Bee’s gloss of shipboard life, and she notes that Vindeliar takes particular care to keep Kerf docile. Bee reaches out with her magics to see the extent of Vindeliar’s work and gently plies him for information. He surprises her with evidence of his own machinations, but he also relates information to her about his own prophetic dreaming–and others’, which notes the fulcrum for the world that is the Unexpected Son.

Vindeliar composes himself for sleep, and Bee ruminates on what she has learned. Considering it, however, leads her to a dark conclusion from which she realizes only she can extricate herself.

As I reread the present chapter, I am put strongly in mind of Magnifico Giganticus–and not the one from the television series (I don’t have that particular streaming service, thanks). I’ve made explicit reference to Asimov’s psychohistory once or twice in the course of rereading Hobb, and I continue to think that the Realm of the Elderlings novels do make some use of what might be termed psychohistorical concepts–although, as with the Tolkienian tradition, Hobb moves somewhat aside from the Asimovian while retaining enough of its features to be considered conversant with it. (I’d be interested in seeing if others have already done explicatory work in this regard; please let me know in the comments below if there’s something I need to put into the Fedwren Project about it.)

Here, the dreams of the White Prophets are…vague, probabilities only. They may or may not come to pass, coming down to inflection points that Asimov refers to as Seldon Crises and that the Prophets term…less concretely. Here, one of the perceived inflection points–the Unexpected Son–can disrupt or maintain the whole structure of future prophecy. This, to me, (partially) echoes the Mule, whose gangling and surprisingly athletic frame (a description that applies to the Fool and, to a lesser extent, Bee) conceals a powerful mind that can directly manipulate the emotions of others (which seems something that the Skill and similar powers such as Vindeliar’s can do, and Bee is Skilled).

It’s not an exact parallel, I’ll allow. The Mule is something of an anomaly; Bee and the other Whites are rare outside eugenicist programs, but they are not anomalous. They are also not sterile as the Mule purports to be. And the inflection point that Bee represents is anticipated, while the Mule is distinctly not; the Mule is an object lesson in the need to verify assumptions, while Bee is, to my reading, more. But even with the variances, there is a case to be made that Hobb does borrow from Asimov in this (as in a few other things; I’ve long commented on at least one).

(And, yes, there may be some Herbert in there, too. I’ve mentioned it before. It seems I have more and more that I can do…)

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Another Reminiscence for Early #Bandtober

In my most recent post to this webspace, I write of how I got into band. I note that I grew to love it, a love I think clear from the several efforts I’ve made to remain involved with it. But it was not a linear thing, and there have been times I’ve not been very pleased with how things went, even in that part of my life when being a band nerd was more central to my self-concept than it has since become. (It’s still there, but it’s far from the biggest or most forward part of it.)

Welcome, but not conducive to marching bands…
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I’ve noted, I think, that I was in marching band in high school. Between my freshman and sophomore years, for reasons I am not going to get into here but which are at least partly matters of public record, the high school I attended found itself with a new head band director. Said band director made a number of changes to how things were done in the band program, and many of them were good, although my arrogant little shit of a self pushed back against a number of them. (Then, as now, change for the sake of change was not something I appreciated, and I saw the changes taking place as being in that line. I was wrong, as I realized later, but I was still an ass who deserved a lot worse than I got.) Rather than being a time and space to goof off and act out, band began to be something to take seriously and take some pride in, and from what I remember, there were more than a few in the program who did just that. (Some, of course, had already been doing so.)

Consequently, when Bandtober came around, the band was ready to go. We did a couple preliminary contests, doing better than we had expected to do in each of them, so that when UIL Region Marching Contest was set to happen, we felt ready for it. And on the morning of that contest, despite overcast skies, we assembled at the high school early on, ran our show one more time, then checked our equipment and uniforms and loaded onto several school buses and a rented truck or two, heading east on Interstate 10 to face the judgment of experienced clinicians, educators, and assessors–a judgment I recall being confident would be much in our favor.

As we drove east, however, the clouds that had been hanging above us began to lay down their burdens. By the time we reached the intersection of Interstate 10 and Loop 1604, we had heard the news: the contest had been postponed due to lightning observed and rain expected to last throughout the day and into the evening. We drove around the awkward cloverleaf that the meeting between the two highways was then–it has since been rebuilt, with construction not complete as I write this, into a massive directional interchange–and started back for home, quiet not in focused anticipation as we had been on the way down, but in stunned disappointment.

It was some days later that the rescheduled contest met, or at least our portion of it. It was not at the originally scheduled site, but at what was then the rival school to the one I attended. (As with many other things, matters have changed since; the schools do not, at this point, compete directly with one another, and they have not for some time.) And the rain that had postponed the contest continued not just for the day, but for several days, so that the field was still wet when we stepped onto it, and we were not the first to compete on it that afternoon. We may, however, have been the worst; people didn’t have all of their materials ready, pieces of instruments fell off and got kicked to the sidelines, and a member of our color guard who would go on to compete in and even to coach Drum Corps International events slipped on a patch of mud and slid across part of the field.

With the performance ended, the lot of us marched sullenly off to the side, clearing the field and the track numbly. The results, when we got them, were much as expected–bad–and it was not easy to make the case in the following weeks that we deserved any consideration, any chance to excel. Because that’s one of the things about marching bands that those outside them do not often realize: there’s really not a next chance this season. There are preliminary contests, invitationals and the like, that matter because they offer practice and assessment, but at each stage of the real contest–region, area, and state where I was and am–there is one chance to make it, eight minutes of playing time and sharply limited time to get onto and off of the field before and after. There’s always next season, sure, but in each year, it’s one and done–unless you do well enough to move ahead, which is never a given.

That year, we missed our chance. That year, we had tried and faltered. That year, we had put more focused effort into a few weeks than we had exerted the full year before, and we ended up doing worse than previously. It was the kind of thing that, had we not just had the upheaval in the program that we had had–and to which I and others responded poorly in more than one way–might well have resulted in some changes to the faculty. As it was, there was a lot of doing to make sure we didn’t lose more than a contest; in more recent years, a program cut might have been in the offering, but even then, the performance made it hard to argue for additional funds to support the program.

But there was a next year, and in that year, despite some other challenges away from the marching field, we did better. We did much better. And about that, I might well write another time.

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