Somehow, the wrinkled citrus thrown away By many hands still stands in light of day And rocks as many look on in dismay At thoughts that its foul roots still spread and sprout, That they yet linger, that none can rip out Each shoot that springs up from the soil. No doubt Remains that that invasive plant endures, That, festering, it for itself secures A foothold, fed by dozens of manures That many yet will all too gladly spread. They shovel out what falls from every head Among them, feast, and think themselves well fed. No wonder, then, such stink is in the air As leaves behind all hog-farms in compare.
Something like this, yes Photo by Daniel Dan on Pexels.com
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It seems he gets dragged through this every year Grabbed up and paraded about And, yes, maybe he gets something from it But did he really ask for this And is this all there is for him?
This again? Photo by Oleg Mikhailenko on Pexels.com
There are other things in the world to wonder at Other things at which to be upset And each new day seems to bring some new affront Some tragedy or atrocity There’s no way to keep up with them all anymore If there ever was a way to do so This little flat third might well pass unremarked Amid the cacophony surrounding it on all sides Save that there’s a focus on this measure every time the song is played And the chord’s no better for sounding again
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On 29 January 2024, a guest-post to the Tales after Tolkien Society blog featured Lancelot Schaubert’s “Dear Tolkien Estate.” The poem is included in Dennis Wilson Wise’s series on new alliterative poets, and Wise comments at some length on the structure of the poem, itself. In truth, I don’t know that I have anything to add to his discussion of it, unless maybe to find something of Milton in it–the final line, “Pendragon’s poem I dare to complete” is, to my ear, a lesser echo of the claim that Paradise Lost will “soar / Above th’ Aonian mount…/[…]/And justify the ways of God to men” (1.13-26). I am certain, however, that others will be able to say more than is given to me quite at the moment.
Why not? It’s pretty. Photo by MARTHA SALES on Pexels.com
I agree with Wise that the poem is good, both in itself and as an example of the kind of thing done by the poets of the alliterative revival / survival (there is some suggestion that the alliterative form preferred by early English poetry persisted in one way or another throughout the period in which it has traditionally been held to have lapsed; the dearth of records does not exclude the possibility, and it is not likely that a long-standing mode of transmission was given up altogether), I note that it does clearly mark out its expected primary and secondary audiences. The title and the final stanza attend to the former, particularly; the subject matter, invoking Arthuriana and Tolkien’s Legendarium, suggest that the kind of nerd I am is the anticipated secondary readership.
Being the kind of nerd I am, I read the poem and am motivated to my own response; Schaubert ain’t the only one who gets to do this kind of thing:
Through ages has Arthur attracted attention, Gathered since Gildas glory, acclaim Known well to Nennius and noted, too, in Galfridian Gloucester-praise that might be a game. The man bound, Malory, mated together The tales that were told across times and lands, Put together in prison the parchments’ burdens, Set them where Spenser could sing to his queen, Hortatory halted but heard down the years. The Professor, peerless in popular eyes, Put his pen to the praise of the one who pulled The sword from the stone in the yard of St. Paul’s, One of nine worthies. That work went unfinished, As was seen to sorrow; it stands not alone As titles can tell us. The truth is No story or song is ever full-settled; How many have told of the husband of Guinevere, How many speak yet of the son of Uther, Not all in accord about Agravain’s uncle? The works of giants yet left in the world Show there was more than is now to be seen; Who would be like them must well show the work The passage of years performs. Praise is not withheld From the soup of which the stock’s source is unseen. But if it will be that the book is completed, The talent assembled and talk well taken, Let one who loves it do the labor.
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Not fronting a hideaway I still find myself presented with Confronted by Not a cowboy puppet But other things Snippets of songs and shows I remember Seeing or hearing about Because I did not listen or watch them When I was young So much as I was young Being taken up by other things Older yet than I am And by some years
How can it be That I long for things I never knew Seeking in them for something new Despite their age?
But there is this At least My longings are for things that were Not for things that have never been And I think little harm would follow Did I get my wish
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The steam drills have long since won and Been succeeded by diesel explosions and Other fires, burning away at the fabric of the world, Leaving less work to do for fewer and fewer hammers, Driving the hands that would hold them and swing them To other tasks and seemingly gentler where The tick of a pen or pencil makes a single point and The lives of others are saved or ruined while Nobody notices and damned few care
That reminds me of a story… Photo by Ken Thomas via Wikipedia, here, and used for commentary.
The diesel is not the only successor to the steam, The hammer not the only tool being wielded less and less, But there are more hands, and they demand more tasks Because Adam’s curse is still held as blessing and Calvin still commands much in the world despite Matthew’s words to which he and many claim fealty, Or James’s, or tales of apostolic acts Passed down from hand to hand as The next best thing to Gospel truth
The new successors have their heralds Trumpeting them to the four winds and Seeking to soar above the lot of them, And no few glory in the ringing of those horns for now, The booming of the covered copper bowls that Covers the coming steps of new giants who Need grist for the mills to make their flour; They do not mark the tune as the dirge that it is, Playing out for them soon enough as it Already sings out for others
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Staring out through the broad plate glass at The clear blue sky cleared by Notus groaning at an unexpected time and Wondering when what is causing his ecstasy will Make its way my way
It’s coming… Photo by Harrison Haines on Pexels.com
For now Nothing is where I can see it But I can feel it in my bones Becoming an old man as I am And the ache is a distraction
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Though the skies are hanging grey And the fall has fled away There’s been no snow for children’s play It’s clear that Jack has been delayed
Not the local scenery… Photo by Stijn Dijkstra on Pexels.com
That Jack has not visited yet Is not something many regret But I would never care to bet That he this place would all forget
As old men drinking coffee know Jack has appeared and had in tow A baggage train that caused great woe And left a mess ere he did go
But forecasts say he will pass by More oft than not; they give the lie To wisdom held ‘hind wrinkléd eye Though kids still hope Jack will come nigh
The holiday season might be nearly past, But there’s still time to get hold of something that lasts: Words that will remain before people’s eyes. I have them on offer, as is no surprise…
It was something we’d known was coming for a while Kind of hard to miss, really And it’s likely for the best He’d not been having a good time of it for some time Though he still got up Tail wagging Last time we were over there And there’s something to that
He was a good boy For a good, long while And he’s worth the tears
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