Sisyphus

While the sun shines
It is easy enough to hold up the load
Roots digging deep into the stone as leaves soak in
The light and warmth provided them
Yet when a cloud passes by
Or night falls
Then the stone shift and fall
Slumping into frowning crags that look
Heavy lidded
Upon the world that the sunshine hides
Until the day demands the rocks be hauled up again
Showing unending labor’s wages to the world

Sometimes, it feels like this, yes.
Image is Titian’s Sisyphus, which I believe is public domain and is certainly used for commentary.

Please note that I’ll not be posting on Friday, 25 December 2020. I’ll be with family and away from my computers.

One last request for a holiday bequest…

A Robin Hobb Rereading Series: Entry 156: Mad Ship, Chapter 18

Read the previous entry in the series here.
Read the next entry in the series here.


The next chapter, “Wishes Fulfilled,” opens aboard the Vivacia, with Wintrow grilling Kennit regarding the fate of the ship’s previous captain. Kennit deflects the inquiries, reminding Wintrow that he had asked his father be spared and put out of the way, before sharply returning to a voice of command. As Wintrow serves him at table, Kennit reflects upon his condition and recent exertions before dismissing Wintrow to commune with the ship.

Not quite this bad, but moving that way.
Image from Jean Léon Gérôme’s The Death of Caesar, which I am told is public domain; it’s used for commentary.

Wintrow confronts the Vivacia regarding her silence as her former captain was spirited away. The ship replies that she is glad to be free of him–and that Wintrow should be similarly glad. They turn their discussion to their relationships with one another and with Kennit, the ship urging Wintrow to draw closer to the pirate captain. As she is doing.

In Bingtown, Althea retrieves and considers her formal Trader’s clothing. She also rehearses the events of the day, and she muses on Brashen and Grag, both. Not long after, she and Malta confer, surprisingly amicably, regarding their conveyance to the coming meeting; Davad Restart is not entirely pleasing to either of them. When he arrives, Althea and Malta join Ronica and Keffria in swiftly entering his carriage and getting underway. Talk along the way is distractedly polite, in the main, and Restart reports the rumor that the Satrap is himself bound for Bingtown.

There is some tumult as they arrive at the Traders’ Concourse, and Althea is rocked by her brief conversation with Grag. She is similarly unsettled to find Brashen and Amber present. Being seated with the Teniras and welcomed openly by them does not help matters amid the pre-meeting politicking. The meeting is called to order and business conducted, eventually reaching the Teniras’ concerns regarding tariffs. Discussion is heated, and Althea interjects herself into it forcefully; not all are pleased at it, though some are, and Althea is ejected from the meeting.

Outside the meeting, Althea finds Restart’s carriage vandalized. Other Traders emerge from the now-recessed meeting, seeing the vandalization and isolating Restart; Althea pleads to help the man, though others argue against it, and she ends up driving him home.

Of note in the present chapter is the Vestrit women’s travel to the Traders’ meeting with Restart. There is much in the passage that rings of quiet toleration of repugnance because of long practice and familiarity; it reads to me of the “Oh, that’s just his way; he doesn’t mean any harm by it” that is too often used to cover over speech and behavior that should be rebuked in the old no less than the young, and perhaps more in the beloved and befriended than in the stranger. And it does highlight the tension inherent in confronting those who have been and still are helpful and friendly when they do and say things that bespeak inattention and disregard for human dignity. Is it cowardly not to make an open confrontation from a position of disadvantage?

Send a holiday present my way?

A Robin Hobb Rereading Series: Entry 155: Mad Ship, Chapter 17

Read the previous entry in the series here.
Read the next entry in the series here.


The following chapter, “Marooned,” begins with Kennit moving to follow through on a promise. The progress of his recovery and adaptation to his amputation is noted, as is the status of the crew of the captured Vivacia. The ship itself quizzes Kennit on his intentions, and he deflects the conversation as he goes about his intention, collecting Sa’Adar, the former captain, and a few others of those freed from enslavement aboard the Vivacia.

Drowning
Good bye, priest.
Drowning by Pretty-Angel on DeviantArt, image used for commentary.

The group takes the captain’s gig out to a hidden bay on a nearby island. The former captain attempts escape after making landfall, but he is quickly subdued and restrained. Kennit leads the group with some difficulty up a path to a small settlement where Kennit announces himself–to his mother. He surveys her situation and briefs her on what he has brought along–harshly. And when his announcements report that he is leaving the former captain–imprisoned, but alive–in the settlement as part of a promise to Wintrow, the boy’s father rages against his son. Kennit rebukes him sharply and tours the small settlement again, beset by memories. Some of his past–ruined by the pirate Igrot–emerges as he considers what was his childhood home.

As Kennit orders the former captain’s restraint, the latter asks for the pirate’s demands. Kennit reports that he has none, although he muses on possibilities as the other man is shackled and shut away. And he finds himself pleased when he returns to his mother, sitting to a brief meal before making to head out again. Sa’Adar resists being left behind, although he accedes to Kennit’s request for a blessing on his mother. When the two rejoin at the gig, Kennit is able to convince the priest to help him launch the boat; the pirate does not, however, help the priest into the craft, though Sa’Adar does heave himself in. After a tense conversation, Kennit pitches the priest into the sea and kills him. The charm on his wrist speaks wryly to him after, but Kennit sets it aside.

The nods towards Kennit’s past in the present chapter might smack of the kind of sympathy-building exercise I’ve noted elsewhere but for the fact that Kennit remains an asshole even with his mother–something for which he is rebuked, to no avail, in the text. The pirate, though clearly wronged, is not in the right, and he seems to acknowledge his error unapologetically; the Freduian excuse is not.

In truth, I am not certain how to feel about the chapter. I enjoyed rereading it, of course; there is a reason I keep coming back to Hobb, after all. And I appreciate the character development accorded to Kennit; while it does not excuse or justify his actions, the glimpse of his personal past provided does deepen and enrich the character, thus the milieu in which he exists. But, again, the man is clearly evil, and following him so closely is…not entirely comfortable. Then again, comfort is never guaranteed, and it is not always good…and there is hope in that I remain (at least) uneasy against the presentation of what is wrong…

There’s a week left; help out?

Some Idle Musing on Some Recent Writing Work

I have made no secret of my continued writing efforts–even aside from the ongoing entries in this webspace and others. Indeed, one of the ways in which I continue to work to bring in money for my family is to do freelance writing projects; those have most recently taken the forms of paid review work and drafting lesson plans. I enjoy both, really; the former has me reading again, which I have missed doing, and the latter pays pretty decently for a side-line, even if writing multiple-choice questions becomes something of an annoyance pretty quickly. (As I’ve remarked to several folks, not only does drafting a multiple-choice question require framing a solid question, it requires producing a correct answer and several wrong answers that have to be close enough to thwart the inattentive. It’s not always an easy balance to strike, though it is always tedious.)

Ah, to work with such things!
Photo by Janko Ferlic on Pexels.com

With the lesson planning, I have generally tried to put back on the role of teacher, writing what I would hope to be able to do with a class if I had one again and were actually in the frame of mind to be able to do a good job of it. (I was not always or even necessarily often, especially towards the end of my time at the front of a classroom, as I’ve noted. It was good that I got out of that line of work, even before the changes and upheaval occasioned by COVID-19.) So far, it’s been to my benefit; the purchaser of the lesson plans–I am not yet set up for direct sales of such things, though that or something similar might well be coming–has repeatedly enjoyed seeing the actual day-to-day activities I suggest, as well as my essay prompts. Other stuff has needed more work, but that’s to be expected when encountering a new client with a specific set of standards and expectations; I make the corrections I’m told I need to make.

Thinking back on it and on sequences of assignments I had in place when I had the privilege of setting my own assignment sequences (here, for but one example), aimed to have “students mimic the kind of work done professionally,” I am reminded that I got at least that much of it right. Professional writing is not a fire-and-forget thing, necessarily or even often; clients want things changed, and they don’t pay until the changes are made. (Some try not to even then, and some get away with it. It’s why I require a deposit from private clients.) Classroom writing is often a one-and-done thing, hammered out in haste too close to its deadline and shot off for review that does not precede revision; no wonder it is often so tedious for both writer and reader.

I have tried to make what I continue to generate less so; I hope I have, in some small measure, succeeded, and that I will continue to do so.

Care to fund my continued efforts?

A Robin Hobb Rereading Series: Entry 154: Mad Ship, Chapter 16

Read the previous entry in the series here.
Read the next entry in the series here.


The next chapter, “Taking Charge,” begins with Althea retreating from Brashen’s exit from the Vestrit home. She muses on their shared circumstances and the paths that have led Brashen back to his home port, noting the changes that have occurred in herself and positing that similar amounts of change are likely to have befallen the Vivacia. And she watches from a window as Brashen departs.

Dragon Portrait
Something like this, perhaps?
Dragon Portrait by kaseykmay on DeviantArt, used for commentary.

In the middle of that night, Malta sneaks from her room to meet with Brashen’s younger siblings, Cerwin and Delo. She mulls over the family’s situation and purposes, filled with romantic ideas, to enlist the aid of others, beginning with Cerwin. She rehearses to them the situation of the captured Vivacia, even as her opinion of Cerwin falls against what she has learned of his brother, and as she blatantly manipulates him (above Delo’s objections, it must be noted) towards aligning with her family in the coming Traders’ Council meeting. He agrees, but the form of his agreement surprises Malta, to the disappointment of her romantic ideas. As the three return to their homes, Malta considers what she perceives as Cerwin’s deficiencies against Brashen–and Brashen’s evident interest in Althea.

For his own part, Brashen exits the tavern where he had found dinner and considers his situation. He decides to abandon the Springeve, and he mulls over his experience with the Vestrit women–including Malta. His thoughts, predictably, are most on Althea, and his feet take him back to the Paragon, where Amber stands ready to the ship’s defense. The ship recognizes Brashen, though, and introduces the sailor and carver to each other. After a brief argument, Amber informs Brashen of changes that have occurred in his absence, and Brashen rehearses his news of the Vivacia. The talk sends the Paragon into a strange, painful episode, and Brashen and Amber withdraw to continue conversing. Amber waxes philosophical, and Brashen retreats–toward Bingtown and away from the ship.

When she returns to her room, Malta seeks to reach out to Reyn again. The effort is futile, and she longs for her father’s return. Reyn, however, struggles in his own dreams against a voice in his mind that pleads for release. He considers what he knows of wizardwood and its origins as cocoons for strange beings: dragons. His thoughts turn at length to Malta, and they join in dream at last. She relates the news about her father and the Vivacia, imploring his help; he demurs, and the dragon that has harangued Reyn interjects, prompting Reyn to explain much, but not all, before the dream fades–and the dragon’s voice in Reyn’s mind does not.

One thing that the chapter points out–and there are other things to take from the text–is that the expectations a person may have of people from attending to tales are not apt to be fulfilled. This is something of an interesting message to receive from an author who focuses on verisimilitude in her fantastic writing; the in-text and out-of-text comments seem to be at odds with one another. That does not mean it the in-text message is without precedent, however; Don Quixote, for example, is a warning against overindulgence in genre fiction and romantic ideas, and there are many others to be found. And it must be remembered that Malta, despite her protestations of womanhood, remains an adolescent, and one who has led a relatively sheltered, certainly upper-class life; inexperience in the young is excusable, particularly as it falls away.

Friend, can you spare a dime? A nickel? Hell, even a penny?

A Robin Hobb Rereading Series: Entry 153: Mad Ship, Chapter 15

Read the previous entry in the series here.
Read the next entry in the series here.


The chapter that follows, “Tidings,” begins with the Vestrit women at work in the household. Althea excuses herself to go into town; Malta asks if she is going to see Amber, which Althea notes she is, and the issue of them being lovers is brought up. Althea denies it vehemently and storms off; Malta delights in having occasioned the reaction, while Ronica stalks off in disgust. With them gone, Malta mulls over her situation and purposes to be in control and command of herself before considering a meeting with another potential suitor.

AMBER
The carver at work.
Image from noodlerface’s tumblr, used for commentary.

Elsewhere, Althea confers with Grag Tenira about Malta. He reports progress on the matter of the tariffs, as well as on the Ophelia; the latter goes well, with Amber being remarkably flexible and proficient in the work of repairing and restoring the figurehead. He also notes there’s been no word of the Vivacia, though he continues to ask. Local politics also get some attention in their conversation, and Althea finds herself thinking of Brashen Trell.

Brashen, dressed well and clean, reports to the Vestrit home. Malta greets him, sneeringly, and a tense exchange ensues before he recognizes her and notes that he has news to deliver. As she stalks off to get a runner to her mother and grandmother, Brashen mulls over the changes he sees and considers Althea’s likely disposition.

Following her conversation with Grag, Althea calls on Amber. The two confer, and Amber repeats back to Althea some of her own words from the conversation with Grag. The two confer about Althea’s desires, and Amber notes the gender dynamics that inhibit Althea’s achieving them. Sexual ethics also receive some comment.

Malta returns to Brashen, treating him with better manners, and Brashen begins to feel uncomfortable with her as they discuss his siblings. His addiction to cindin tells upon him; he is distracted, and not only by Malta’s coquettishness. When he tries to excuse himself, realizing somewhat belatedly what she is doing, he almost runs into Ronica and Keffria, who have returned. He reports to them the capture of the Vivacia by Kennit, offering what information he has available. It does not do the Vestrit women any good, nor yet does Althea’s brash entrance with Malta rebuked for eavesdropping. A fracas ensues, although it is soon quelled, and the family confers as to how to proceed.

The chapter is an excellent one for the feminist critique that pervades the Liveship Traders novels; the discussion between Althea and Amber is a frank and largely open treatment of one of the major concerns of such discourse. It also works as a striking counterpoint to the issue of the previous chapter; Althea is not nearly so constrained in her choices as Serilla is, and without the overt threats that the latter faces, but she is still very much confined by prevailing gender dynamics. One message to take away is that even the more genteel restrictions are just that; they force people to be other than they are, diminishing them all–and all of us.

I’d still love your help!

No Bacon, This

The pythons wrestle
Not over so noble a prize as Laocoön and his sons
Nor against such wisdom as he spoke
But instead about a bloated pig
Lurching soddenly forward
Constriction slowing its steps no more
Than the muddy ground sucking at its trotters
Coiling dread and unease gripping while
It limps onward
Knowing no other way
Unable to stop
But no more adept at finding solid ground again

Laocoön - Wikipedia
No, not this.
Laocoön and His Sons, image from Wikipedia and used for commentary.

I continue to prize your kind support.

A Robin Hobb Rereading Series: Entry 152: Mad Ship, Chapter 14

Read the previous entry in the series here.
Read the next entry in the series here.

A content warning (sexual violence) is in order for the present chapter.


The next chapter, “Serilla’s Choice,” begins with the titular Serilla confined below decks on a refitted barge, seasick as she and the barge proceed with the Satrap towards Bingtown. She muses on her circumstances and situation, as well as those of the Satrap and his preferred Companion–a concubine, rather than an advisor, as Serilla is. The Satrap fares particularly poorly in the assessment, and not only Serilla’s.

One image of Serilla.
Image taken from badgerlock’s tumblr, used for commentary

Serilla also considers the retinue that accompanies the Satrap; it is extensive and seems calculated to inflame tensions. It also seems to be a means for getting the Satrap away from power, so others might take it. And it gives the Satrap permission to indulge himself and his baser desires without having to be concerned about appearances. This becomes apparent when he threatens to have her raped by the crew of the barge if she will not sate his desires; she refuses the Satrap and is cast to the crew.

The Satrap has not been a sympathetic character prior to this point, certainly; he follows the model Hobb establishes in Regal, exchanging fratricide for satyriasis but otherwise being very much in the line of rulership as doing what he wants. The present chapter, though, pushes Cosgo from being unsympathetic into irredeemable. It will not matter what he does henceforth; the stain of his actions will no more clean from him than the spot from Lady Macbeth’s hands (and there is, at times, a motion to reclaim such characters, as I have noted elsewhere). And it is easy to read a commentary into the chapter, as has been the case with many other such; Serilla’s choice echoes what many see a learned woman faces amid the restrictions of toxic masculinities at work in the world.

It is not her work to right the wrong or to prevent it. And the rest of us need to do better about that work. Far, far better.

Care to support your local struggling scholar?

A Robin Hobb Rereading Series: Entry 151: Mad Ship, Chapter 13

Read the previous entry in the series here.
Read the next entry in the series here.


The following chapter, “Interlude,” begins with the serpent Shreever musing on the status of Mauklin’s group. She, Mauklin, and Sessurea alone remain of their original gathering; they are joined by other serpents gone feral as they press northward. Maulkin weakens and grows depressed. One of the feral serpents rises above the water and sings, and Maulklin suddenly grapples therewith, finding that a core of consciousness remains within.

Sea Serpent 2
Perhaps something more like this?
Sea Serpent 2 by verreaux on DeviantArt, used for commentary.

Through more struggle, the three are able to reawaken that consciousness; the serpent recalls his name, Tellur. Slowly, the other feral serpents also return to consciousness, naming themselves–Kelaro and Sylic. After orienting themselves, they agree to align themselves to Maulkin and to press on in search of a serpent who actually remembers what it is they are supposed to do to do more than simply survive in the flesh.

The chapters that focus on the serpents tend to be shorter than those that focus on more human characters. There is sense in this; the minds of non-human sentients would necessarily be less accessible, their actions less understandable, than those of humans to human readers. At the same time, the non-human intelligences are at work in Hobb’s literary world, and it is not good to disregard them. Showing their workings in brief serves to remind readers that there is more going on than the social upheavals clearly at work in Bingtown, in Jamaillia, and between them, while not going so far afield from them that readers lose a sense of narrative and understanding.

More people would do well to recognize that other minds are at work in the world.

It’s only a few weeks until Christmas; send me a present?

A Rumination on Being a Bit Humbler

I confess to no small amount of vanity about my intellect. It is a thing for which I was roundly and repeatedly praised in my childhood and adolescence, and it is something I had thought to use to make my way in the world as an adult. Even now, when they matters a damned sight less than I had thought they would or that one or two of my erstwhile careers would have made them, my brains remain a point of pride for me, as does the cluster of letters at the end of my name that I flatter myself my smarts got for me and that serve as proof of the same.

Carcinisation - Wikipedia
End of the road…
Image is J. Antonio Baeza’s on
Wikipedia, used for commentary.

As part of flexing that intellect, I do a fair bit of writing, as should be obvious. Some of that writing, as I’ve demonstrated here and in other places, takes the form of poetry (of admittedly varying quality). In that, I am often lewd or outright vulgar, to be sure, but I also do not seldom play with fancy words for the sake of delighting in them. It’s perhaps a bad habit carried over from more formal academic writing and growing up as a nerd who spent much of his time with his nose in a book. (Too much, I’ve been told; the problem was really “not enough on other things.”) There is something useful in verse in using one word that will do for five, even if it sends a person to a dictionary now and again.

In my arrogance about such things, I accepted a challenge that was not given to compose a poem involving a word for the process of evolving towards a crab-like form. Without bothering to check up on a word with which I was unfamiliar, I hammered out a brief bit of free verse, an amended version of which is

They age
Enduring without youth
But do not follow Tithonus too closely
Opting rather to snap and scuttle
Than chirp their hopping evening tunes
Carcinization overtaking them
As they drag too much of the rest sideways with them

Of course, that I note it is an “amended” version should be something of a giveaway. I didn’t have it right the first time I let others see it. And I was informed of that–politely and kindly, yes, but no such notice is an easy one to receive, and I found myself hurting from the shame of having erred in such a way.

It has been a few days since it happened as I write this, and the pain has eased, even if I can feel my face flushing red from the recollection. I take the lesson that I need to check things before I move ahead in such ways. And I recall something from my teaching days: when I would discuss sourcing with my students, I would note to them that there is never 100% certainty in a scholarly source, explaining by analogy to sports figures. Whoever the greatest basketball player may be or have been, s/he missed a damned lot of shots; whoever the greatest baseball player may be or have been, s/he struck out an awful lot. I am far from the greatest–even I am not so arrogant as to think otherwise–so it follows that I will miss far more often.

It’s not a reason not to play, though.

Your kind support remains greatly appreciated.