What the Three of Us (and a Friend of My Daughter) Did Last Weekend

I‘ve written a time or two before about excursions my family and I have taken, going out and about in the vicinity of our own little part of the world. In truth, it’s an odd thing for me; I’m a homebody (if I put things politely, which not everybody does or should), not inclined to “get out” much, so trips further than going to the gym, to work, to church, or to the grocery store aren’t commonplaces for me. That’s part of why I write about them. I know that my field trips don’t show up as being the kinds of things of which major events are made for a lot of other people, they stand out to me for their relative rarity, even as I am aware that they don’t go far into the field at all.

A representative view, and from not too far from where we were.
Image is Cody Ely’s of the Hill Country State Natural Area on Wikipedia, used under a CC BY 4.0 license

The most recent little expedition we took was this past weekend, one last hurrah before my daughter started school. (She returned to class on Wednesday. It’s a late start, I know.) We returned to the vicinity of Lost Maples State Natural Area, one of the gems of the Texas Hill Country, lodging for a few days at one of the properties operated by Foxfire Cabins. We’d stayed at another of the properties about this time last year, finding it a generally enjoyable experience, and we decided we’d work to make it something of a family tradition. Hence the return this past weekend, when many of the area schools had already started back up, making for a less crowded time for us to enjoy.

My wife, my daughter, one of her friends (whom I’m still considering how to pseudonymize; I don’t generally discuss minor children by name for privacy reasons), and I made our way down to the location on Friday afternoon, my wife having taken off work and my own job being such that I’ve not been in office on Fridays for some months, now. Our drive was reasonably good, although we got off to something of a slow start, as there were some errands that needed running before we could pack up and head out. Too, we got delayed along the way; stopping off for lunch took longer than expected, as did going to the grocery store along the way. But, as ever, the drive was scenic, with the rolling hills parting at times to offer spectacular views of hardy trees stretching to the limits of vision in the distance.

We got to our lodging, the Alta Vista cabin operated by Foxfire, in good form around five pm. A two-bedroom, one-bathroom place with a wraparound porch, firepit, grill, and picnic table, the cabin–and the neighboring Buena Vista–offers remarkable quiet and excellent views of the towering hills enfolding FM337. There was a bit of a trick to finding it (including a steep drive up an unpaved drive), to be sure, and another window unit would have been welcome, but it was from the outset a good place and restful.

The next morning, all four of us on the trip slept in until close to nine. After breakfast, we went to the main Foxfire facility, right on the upper Sabinal River. There, my wife and the girls swam a bit, the latter playing with the children of another group of families that were having something of an annual reunion on the property; given that I swim just about as well as a rock (about which more later), I abstained. My wife and I got some information about local happenings, as well, and we decided that we would make arrangements to take the Frio Bat Flight tour that evening. Right off the intersection of TX127 and FM2690, the tour takes visitors to the entrance of a cave system that hosts between 10 and 12 million Mexican freetail bats–a colony whose emergence shows up on weather radar as often as not. The guide was informative, and the setting was beautiful–although I was sad to see the falcons hunting the emerging colony miss so many of their attempts.

Shown not eating.
Photo by Frank Cone on Pexels.com

We drove back to Alta Vista by way of Utopia, missing much of the scenery in the darkness that followed the bats’ emergence. After another long sleep, and a Sunday morning breakfast, though, we were back at it, heading down FM337 to Leakey (pronounced “Lake-ee,” for those not familiar) to see about visiting a river outfitter and floating the Frio. The one we visited in town gave an…unhelpful answer, but the next one we called, Happy Hollow in Concan, was much more accommodating. With them, we made arrangements to rent inner tubes and be shuttled upstream on the Frio River–I believe to the crossing on FM1120, but I could not see road signs from where I was sitting–to enter the river and float on down. While the water was generally low, and I managed to scare my daughter and entertain her friend with the prospect of my drowning where the river got deeper (she had complained of nearly falling through one tube, so I switched her to one with a net, and I went into the water more energetically than I expected), it was a generally peaceful, pleasant experience. Much of the float was shaded, and the people still on the banks so late in the season were friendly.

After the float, a picnic lunch, and more swim time for my wife and the girls–I abstained again, not wanting to tempt matters–we drove back down to TX127, where we put in at The Frio Float, a little ice-cream shop right on US83. I got a small cup of ice cream that I ate with delight; my wife and my daughter’s friend each got floats with Dublin Bottling Works Texas Red Creme Soda, and my daughter got a big helping of a strange concoction of ice cream and toppings. The three of them overestimated their capacities, which made for a bit of a delicate drive back to Alta Vista (once again by way of Utopia, although with much better views in the daylight than in the previous darkness), but things were well settled by the time we got back and lit up both the grill and the firepit on site.

Monday morning, we didn’t sleep in near so much, as we had to eat our breakfast, pack our stuff, and skedaddle. My wife and I both had to go back to work on Tuesday, and the girls had their Wednesday start of school; in preparation for the latter, there was a Meet the Teacher Night we were pleased to attend. It was a sadness to leave, as it most always is to return to the real world from a vacation from it, but we’re already looking towards next year, and we got back to our lives with more vigor for having had the time away.

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Written in Consideration of an Old Saying

They said many a time that
There never was a turd
So hot
That it didn’t cool down

Ah, rural life.
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They neglected to mention
How many people
Would stand around
With ice and fans ready

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A Robin Hobb Rereading Series, Entry 411: Fool’s Assassin, Chapter 21

Read the previous entry in the series here.
Read the next entry in the series
here.


After an excerpt from an in-milieu conduct manual, “Search for the Son” begins with Fitz conferring with his steward, Revel, about coming changes and the standing décor of the guest suites in Withywoods. Fitz endues the steward’s gentle rebuke for his negligence and ignorance, and he authorizes repairs. He reaches out then through the Skill to Nettle, seeking approval for the use of funds and finding some exasperation from his elder daughter about it. The pair also confer about FitzVigilant for a bit before Nettle retires.

You know what I’m talking about…
Image is a screenshot of the “About” page of the Miss Manners website, used for commentary.

Fitz muses then on Bee and her reluctance to be with him and on Shun’s many complaints. He contrives an errand to buy himself and Bee some time of peace at the estate, and he recognizes what Bee is learning about him from reading his papers. He further ruminates on the messenger that had reached him and the clear signs that she and her pyre had been observed; more rumination about how to proceed on the Fool’s request and how to secure Bee follows. Fitz confers with Chade through the Skill about the matter, after which he revels in Skilling for a time.

Nettle catches Fitz at his lingering, rebuking him harshly and at some length. Her comments about Bee leave him stunned and considering his mistakes once again.

The prefatory bit for the present chapter offers a singular bit of delight; the excerpt from Lady Celestia’s Guide to Manners comes off as a biting comment on etiquette guides, generally, and I have to wonder if there is something biographical at work in the offering. The title of the excerpted piece–which does carry the function Oliver asserts in his comments about similar bits in Assassin’s Apprentice–suggests that the work will be some genteel, kindly thing, and the suggestion is utterly belied by the text itself, which is…certainly a thing, coming off as underscoring methods of manipulation and control rather than as a guide to getting along well with others. Therein, I think, lies the commentary. To what extent is etiquette merely the means of securing control from and over others? To what extent does it follow Frankfurt’s assertion at the end of On Bullshit? Fredal’s in College English? Or is it simply the juxtaposition of content and expectation–since the author and title follow the scathing passage–that produces effect? Such questions are the kinds of which critical inquiry is made, and they add to the large pile of such things that I have to think upon–later on.

The last part of the chapter, in which Nettle rebukes Fitz for his seeming willingness to die and his neglect of Bee, resonates with me, affective reader that I am. I’ve not made any secret of having a child–a wonderfully precocious daughter for whom I feel great affection. I don’t think I’ve hidden that I am and remain markedly insecure about how I parent her. I worry fairly often that I do not challenge her enough; I worry just as often that I push her too hard. In both cases, I worry about whether or not I am teaching her what she needs to know to be a person in the world and to be able to find happiness for herself, and I am concerned at pretty much all times that I am working against both of those simply by being the person I am. It’s probably overthought, in the event; to all appearances, my daughter thrives, and if she faces some problems, they seem to be the kind endemic to children in the Texas Hill Country. But there is still a voice in my head that nettles me about it, even though I have little enough wit or skill or magic about me, and so I find myself once again feeling right along with Fitz, flawed though I know such reading necessarily is.

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In Response to Benjamin Bruening

I‘ve been adding more to my ongoing Fedwren Project than Matthew Oliver’s piece or the work of Busse and Farley–albeit slowly, the demands of daily life outside academe being what they are. Most recently (to this writing), I read Benjamin Bruening’s “Word Formation Is Syntactic: Adjectival Passives in English,” which I entered into the Fedwren Project here. (It is the fiftieth entry in the project, although I am listing alphabetically rather than when I encounter and annotate the pieces.) There’s a summary of the article there, and Bruening himself provides an abstract, so I don’t feel any need to give another one here. I do, however, think I need to offer some response to the article here–not one in which I point out what I see as problems with the piece, but one that leads me to some reflection on what I see as a tendency in scholarship involving Robin Hobb–now that I feel I’ve got enough material described that I can speak with some certainty about such things.

Such a glory!
Photo by Pixabay on Pexels.com

As might be guessed from the title, Bruening’s article is a linguistics argument. I’ve got some training in linguistics; it’s effectively a requirement for working as a medievalist, and, as I noted long ago, my own graduate training had specific guidelines about it. (It’s been a while since I was there; things might’ve changed in the interim.) Too, my wife’s formal academic training is as a linguist, and, as might be expected, many of her friends from her adventures in New York City–on which I joined her for many years–were in similar training. I can safely claim, therefore, to have some familiarity with the discipline, although I am not a specialist in it by any means (insofar as I am a specialist in any academic field at this point in my life). Even so, Bruening’s article was…challenging…to read–but then, academic wok is written by specialists to other specialists, and I am, again, not a specialist.

(I do wonder what reaction Bruening has faced in challenging the orthodoxies he does in the article, however. He does seem to say he thinks a lot of people are wrong, and it’s possible they might be, or that he’s right–which isn’t the same thing. But it’s also the case that academics are all too human, and there’s no shortage of ongoing grudges attested in the literature of several disciplines. [I point at a small example here.] There are stories of fistfights, even–some of which are true; I saw one. It’s a personal curiosity, but one I’d not mind having indulged.)

Despite the challenge, however, I did manage to make my way through the piece. And I noted in it the use of Hobb’s work as an example of natural English language text, a use that follows the same pattern a number of other works I’ve annotated for the Fedwren Project display. It seems that several social scientists read Hobb; they make use of her work as examples of community formation, word formation, and the like. I suppose it suggests her appeal beyond “the usual suspects” (people like me who get accused of not being part of “the real world” or of doing work that has any utility or sense behind it), since it’s not likely the researchers in question would have recoursed to her without being familiar with her work already. I suppose, too, that it suggests Hobb’s writing style as a model worth mimicking, since it does seem to be accessible to non-literary types and even to machine learning. Certainly, there are worse examples for such to follow, although I have to wonder about issues of consent and compensation.

There is, of course, more work for me to do on the Fedwren Project. I have other articles printed out and ready for me to read and remark upon, as well as others in PDF waiting for similar attention. There’s a dissertation waiting for me to read, too, and I am certain there is other work out in the world that I don’t know about quite yet. How much, if any, of it falls into this same pattern, and what other patterns of research are out there, I look forward to seeing.

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Written Too Long after the Beginning of Another Research Project

Staring at the reams of work others have done
Knowing that I must master it all
That I must do so swiftly
Daunts the eyes and grips the heart

Not even the half of it…
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There is no other option
No other way to do the work
Than to do the work
And I remember I was once well trained

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A Robin Hobb Rereading Series, Entry 410: Fool’s Assassin, Chapter 20

Read the previous entry in the series here.
Read the next entry in the series
here.


After an excerpt from a translated commentary on killing (one that Dargen seems to have studied), “The Morning After” begins with Bee waking late and ruminating on her displeasure at Fitz’s seeming valuing Shun over her. She also considers how others relate to her, and she fumes as she collects clothing that fits badly and changes in private before seeking Fitz.

Not quite true to text, but you get the idea…
Photo by Wallace Silva on Pexels.com

Bee finds Fitz at table with Shun and Riddle, and she comments with some aspersion on him having eaten without her. Several barbed exchanges ensue, with Bee aiming at Fitz to some effect–though he does not respond in kind–and Shun to more of it, provoking anger from her. Fitz notes the impending arrival of FitzVigilant, which occasions mild upset from some present and curiosity from others, with Bee remembering his earlier visit to Withywoods. Shun’s continued barbs are shut down, and Bee becomes aware both of Fitz’s approval and the limits of others’ knowledge. More normal conversation follows, with Bee ruminating on preparations and on her status as she excuses herself from the table.

Later, Bee returns to the messenger’s pyre, rekindling the flame and ruminating on the messenger and on bits of prophecy of which she is aware. Returning to her home, she observes a cat at hunt. The successful animal notes the utility of autonomy, and Bee considers the lesson closely.

The present chapter is another brief one, less than ten pages in the edition of the novel I am reading. Again, I am not sure regarding any significance of the chapter lengths or patterns in them, and, again, I am convinced that going through the text and taking page-counts is something that could be done, with some tedium though not with difficulty.

It occurs to me that the idea of some significance associating itself with something like patterns of chapter-lengths runs into the notion of authorial intent. Wimsatt and Beardsley come to mind, of course, as do gallons of ink spilled on reams of paper about curtains being blue. That is, whether Hobb means anything by any patterns of chapter length that exist is immaterial; even if she has attested to it–and I do not know if she has; I’ve admitted that the Fedwren Project is not comprehensive, after all–the attestation would be itself a re/construction of events, a story told about them, subject to the frailties of human memory and perception in the recording and the relation.

What matters is the effect such a pattern has on readers, and whether that effect is in accord with the effects generated by the other features of the text. (Whether chapter length counts as text, proper, or as paratext is something that could be argued meaningfully. It likely has been in other contexts, but , if it has, references thereto do not come to mind.) For me, the shorter chapters stand out no less than the longer ones; the very difference marks them out for some attention. Whether those differences correspond to any particular points of narrative heft, I cannot say at the moment; I’d have to do the data collection and review my notes in a way that composing this entry in the rereading series does not really allow (and, honestly, I should have the notes for the entire body of work ready before I make the attempt). But I can say that anything that sticks out calls for attention, deliberately or not, and even if it is not a deliberate thing on the author’s part, there is some meaning to be gleaned–even if only a little.

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Another about Aestas

She performs so exuberantly
Every time she is in residence here
Shining brightly on the pale stage with its
Crooked wooden pillars and its
Fading verdant hangings
And the audience sweats in the lights held aloft

Looks like it’ll be a hot time…
Photo by Vishnu R Nair on Pexels.com

Those in attendance at her show
Must like what they get from her
Year after year
Seeming to invite her again and again
Although she rarely varies her set-list
And there are complaints when she does

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In Response to Kristina Busse and Shannon Farley

I did not stop work on the Fedwren Project when I addressed Matthew Oliver’s “History in the Margins” not too long ago. Indeed not; I have a number of other articles to read and annotate, bringing them into the bibliography I’m happy to be maintaining and to which I hope to make more contributions, both in itself and in producing items to add to it. One of them I read recently, Kristina Busse and Shannon Farley’s 2013 “Remixing the Remix: Fannish Appropriation and the Limits of Unauthorised Use,” is summarized in the Project here. As with other pieces I’ve read, the summary matters; the summary’s useful for other researchers, and I know that there are and have been some doing intellectual work on Hobb’s writing who make use of the Project–which is at least part of the point of my maintaining it. But, also as with a number of other pieces I’ve read, the summary is not enough on its own; I feel the need to offer some response–which I do, below, in the hope that it will be useful.

sound of record scratching
Photo by Victor Soto on Pexels.com

As with Oliver’s piece, I want to stress that I found Busse and Farley’s piece to be a good one. While I am not as up on fandom studies as, say, Kavita Mudan Finn (whose work I wholeheartedly recommend) or Shiloh Carroll (whose work I also wholeheartedly recommend), and I am not necessarily part of fandom communities as such (as I explain here), I found the piece to be well written and easy to follow. It’s never a bad thing for a specialist text–and, to be clear, academic journal articles are specialist texts, written by scholars to other scholars working in the same or in closely adjacent fields of inquiry–to be accessible to those outside its anticipated primary readership. (For reference, I follow Richard Johnson-Sheehan’s four-fold readership model. It seems to work pretty well.) As someone who, despite lapsing, works in fantasy literature, I am likely in one of the “closely adjacent fields of inquiry” to fandom studies, although I think they run more toward the sociological than the literary (I’m minded of reading Gary Alan Fine in the past), and there is a gap between the social sciences and the humanities, even if it is not so broad as some might want to make it out to be. But however that may be, the clear breakdown of topics Busse and Farley provide works well, it explains its terms and their use, and it offers manageable chunks of information, all of which argue in their piece’s favor.

I note above that I read the article recently to the time of this writing; it will also be close to the time of this post’s release into the world. Both are in 2024. The article dates to 2013, and it discusses an event in 2006. Consequently, there are things in the article that come across to a current reading as somewhat dated. For example, the article makes some reference to Tumblr, and while that platform is, to my knowledge, still extant as I write this (I certainly use it enough in my Hobb reread), it also–again, to my knowledge–does not function anymore in quite the same ways now as it did then. Busse and Farley do note that the community standards they reference–again, at length and with clarity–in their article are evolving and changing, so they allow for the possibility of datedness, and it is the case that it is not fair to fault an article for failing to address what occurred after it was published. (To be clear, I am not finding fault with the work.) So much said, I have to wonder if any of the authors’ conclusions would change when assessed against newer standards of conduct among the communities they investigate, and how.

This is, after all, a reaction piece, and I can only react as I have it to do.

In any event, the reason “Remixing the Remix” came to my attention to begin with is that it makes reference to Robin Hobb–specifically, the “Fan Fiction Rant.” Theirs is not the only article to do so, of course; indeed, one of the major threads of research into and commentary on Hobb’s body of work (with the understanding that the Fedwren Project is not complete; I have other articles to read and annotate into it, and there is doubtlessly more work being done in that line of which I am not yet aware) is specifically on that piece. Something about that blog post appears to have caught the interest of a number of commenters, some of them scholarly, and I think there’s more to it than simply the intersection of the fanfic and scholarly communities. (There is overlap, of course, but not congruity.) What that something is, I do not know; again, I am not a scholar of fandoms, nor yet am I a sociologist, and I think it would take a sociologist working in fandom communities to untangle it (or else an ethnographer with an interesting focus). That doesn’t mean I wouldn’t appreciate knowing, once it’s known.

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A Robin Hobb Rereading Series, Entry 409: Fool’s Assassin, Chapter 19

Read the previous entry in the series here.
Read the next entry in the series
here.


A fragment of recorded prophecy regarding the Unexpected Son prefaces “The Beaten Man,” which begins with Fitz considering that fragment in detail. How the prophecy had been thought to apply to him is noted, and Fitz glosses his long friendship with the Fool. Amid his reverie, Fitz realizes that the Fool had reached out to him before, that he had failed to see it, and he sorrows deeply.

There are joys in working with such things.
Photo by Maria Orlova on Pexels.com

As Fitz considers further and prepares to still his mind for sleep, he is disturbed by a Skill-sending from Chade. FitzViglant, having narrowly escaped being killed, will be sent to Withywoods, and circumstances surrounding both the attempt on his life and his sending out are discussed. Chade also notes something is amiss with Fitz and asks after him, only to be deflected.

Taken wholly out of sleep by Chade’s Skilling, Fitz stalks through Withywoods, assessing its condition and his next steps. He makes some arrangement’s for Bee’s things, then finds himself in the kitchens. There, he eats and manages to fall asleep.

Fitz is woken the next morning by baking in progress. He confers with the baker, then takes himself off to bathe and shave. While bathing, he receives word of some itinerant campers on the land, and he frets about their intentions.

The present chapter is another brief one, some twelve pages in the edition I am reading, and I am reminded that I really need to do the intellectual grunt-work of tracing page-counts across the Realm of the Elderlings novels. It wouldn’t be hard to do, I know, just somewhat tedious–though it would have, for me, the concern of distraction. Often, when doing the kind of work I do, I find myself starting to read again–which seems like no big deal when working with books, but there’s a difference between reading to find something and reading to read, and I slip all too often into the latter while trying to engage in the former. It’s not a problem, as such; reading is good, after all, and even though I am in another line of work, now, it is the kind of thing I trained to do for years. But it is a distraction from work I try to do, sometimes even for money.

In terms of narrative effect, the present chapter seems to me to be doing two things. The first is to set up juxtaposition. Consider one antecedent (among many): Macbeth 2.3, the porter scene (to l. 44). Between intense moments of high drama, the play features a comic, bawdy passage; the function of it, as others have attested, is to highlight the intensity of the drama, the juxtaposition between a whiskey-dick joke and the revelation of a royal murder making the latter hit harder.

The second, more overt, is to bring back into the main narrative a character who had been discussed before. It had been a while, both in chapter-count and in in-milieu time, since Lant had been a factor in the text. That he would be bound to come back seems sensible enough; while there is some utility in introducing a concept or character and not bringing it up again in the same novel–I’m minded of comments about Tolkien’s Legendarium and the “deeper history” mentioned in passing at various points in Lord of the Rings–there is also the issue of Chekhov’s Gun, and FitzVigilant is resonant in a narrative centered on FitzChivalry.

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Hymn against the Stupid God 222

How great the ill that Stupid God has wrought
All through its avatars, as might be thought,
And great the sorrow from those in it caught
Who sought to make their world a better place!
Yet though they strive, the ill still grows apace,
And still of hope there seems but little trace,
A scanty path that leads through looming wood
And by stark cliffs. Who would follow it should
Be wary as they work to do some good
Yet in a world, not fallen, diving down
Into the Stupid God; it tries to drown
Out light and thought and wisdom. Who can sound
The depths to which the Stupid God will sink?
O, none will find the bottom, so I think.

Deep, I know.
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